A Quote by Steve Backshall

All my books draw heavily on my own experiences, and these are not just places I have gone to on holiday, they're locations I know them intimately from lengthy expeditions, most of which have been spent on the hunt for wildlife.
Some places, because of their spiritual history, are noted to be locations where people will often experience an open heaven. In fact, there are places where the heavens are open more than in other places. Most of you are familiar with previous moves of God in places such as Toronto (The Toronto Blessing), the meetings in Pensacola, and Argentina, just to name a few. Just like in Jacob's day, today, there are certain places where heaven is open, geographical locations where you are more likely to have an encounter with God.
For years, I never knowingly went on a holiday. When I travelled, it was for work. Now I am a huge advocate, particularly to places which have amazing wildlife, such as Antarctica, India and Patagonia.
In this box are all the words I know… Most of them you will never need, some you will use constantly, but with them you may ask all the questions which have never been answered and answer all the questions which have never been asked. All the great books of the past and all the ones yet to come are made with these words. With them there is no obstacle you cannot overcome. All you must learn to do is use them well and in the right places.
Seven of my novels take place in the Southwest, in the Four Corners area which has been my home since 1973. I know these mountains, rivers, mesas and canyons well, so it's been natural for me to draw on my own personal experiences here.
There are so many beautiful locations in Rajasthan, so many beautiful locations in our India that have not been explored. Foreigners come and explore such places, but we fail to see those locations with that perspective.
Every poet has a certain amount of "stuff." That's what you draw from for imagery. The more stuff you know well, not simply intellectually but sensually, emotionally, intimately, the wider the pool from which you draw.
Oddly, I'd been to most of the locations where I started photographing slavery many times before. I even considered some of them homes-away-from-home. But there can be dark corners in familiar places.
I have never gone on a real trip, never taken a holiday. The best holiday for me is spent in my workshops when nearly everybody else is on vacation.
I read books when I was a kid, lots of books. Books always seemed like magic to me. They took you to the most amazing places. When I got older, I realized that I couldn't find books that took me to all of the places I wanted to go. To go to those places, I had to write some books myself.
Growing up where I did, you met a lot of colorful characters whose business was on the other side of the law, or more likely you didn't know what they were up to, and you never would. So playing those kinds of characters now, I can draw on that. The rest of it, you can practice or learn from books. But mostly, I draw from my experiences. That's all I have, you know.
David Gulden captures animals in all their wonder and intrigue, without glorifying or romanticizing them. He knows Kenya's wildlife intimately, and it shows in the depth of his images. He has an artist's eye, which delivers beauty and transport in every picture.
I think my path would have always gone back to or delivered me to wildlife. I think wildlife is just like a magnet, and it's something that I can't help.
I'm a self trained, autodidactic artist, so all I was ever trying to do was to draw as realistically as possible - but that's what comes out, because I don't really know how to draw! I think when I draw characters, I'm able to reduce them down to little marks that capture the most distinct elements of them.
In the strengthening the core job, a leader can draw on their past experiences. After all, in most cases they did the job of the people that are reporting to them! So they know when something is screwed up, they know the risks worth taking, and they know the corners to cut. But when they are creating the new, no one knows what the right answer is.
Everyone has their own different life experiences which make them who they are. No two people's life experiences are the same. And mine are just unique to me.
It does cost a lot of money to make high-quality TV in exotic locations. I know everyone thinks we've been given a massive sack full of money and gone off and bought Lamborghinis and gone off for lunch, but it isn't actually like that.
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