A Quote by Steve Vai

I can tell you this: I'm an extremely passionate individual. I try to be careful how I display it because you never know how people are going to take it. — © Steve Vai
I can tell you this: I'm an extremely passionate individual. I try to be careful how I display it because you never know how people are going to take it.
I did commentary with Excalibur. It is an extremely, extremely difficult job. It gave me a whole new appreciation to how on point you need to be and how careful you need to because I was a almost like a color aspect of it.
We have to identify everybody that's here, and there's going to be an appropriate discussion in Congress on how to deal with an individual who has been here maybe for some long period of time. Amnesty is not on the table period. There will be no amnesty in the United States. We're a country of law and the idea that we're going to tell people that somehow or another that that's all forgiven is not going to happen. How we deal with them is a conversation. I don't know if I know all the answers. I want to talk to the American people.
I'm serious when I'm talking to the press because I'm always on guard because I never know what you're going to ask and I never know how you're going to construe my answer, so I try to maintain a pretty even pace when I'm speaking with the media.
The thing about education - and why I'm so passionate about the position and status of the university - is that it's supposed to teach citizens how to think better, how to think critically, how to tell truth from falsehood, how to make a judgment about when they're being lied to and duped and when they're not, how to evaluate scientific teaching. Losing that training of citizens is an extremely dangerous road to go down.
When I was asked to change Laurel into a Latina for How to Get Away with Murder, I was terrified, because I thought, no one's going to know how to do this because the American take on my culture is never accurate.
Life is challenging. I wish I could tell you that you’ll always be on top of the mountain, but the reality is that there are days when nothing will go right, when not only will you not be on top, you may not even be able to figure out which way is up. Do yourself a favor, and don’t make it any harder than it has to be. In those moments, be careful how you speak to yourself; be careful how you think of yourself; be careful how you conduct yourself; be careful how you develop yourself.
I'm friends with a lot of writers and so many of them say how much they hate signings and how they leave after a certain period of time. But what is so hard about sitting there while people tell you how much they love you? And if you don't like it, well, learn to like it. I try to take one person at a time. I never look down the line to see how many more people are left. And I always try to make people talk about something besides whatever they planned to say.
Trust me, people that know me know I ain't perfect, but I do try to live my life in a way that hopefully can be pleasing to my maker because I know I'm going to meet Him one day, and He's not going to pat me on the back and talk about how many wins I had or how many Coach of the Year trophies we got or how much money I made.
People think they want to know how magic works, but really they don't. How it works is never as amazing as what the trick was in the first place, so it's never going to make you feel good. Somebody just wanting to know how a trick works is never enough to make me want to tell them.
You have to be extremely careful because not only do you not know what you're going to be coming up against when dealing with the paranormal realm, but you also don't know what you're going to be dealing with as far as people claiming to have paranormal activity when it really isn't.
There are unlimited opportunities for display advertising. In fact, we're in the process of massive change in the display industry - how it's bought, how it's sold, and how it's targeted.
I remember going to a theater once, and there was a stairway that wound its way out to the back. And I was very young, a small child, and I said to my mom, 'Why are those people going up those stairs?' And she said, 'You know, I don't know how to tell you this, I don't know how to explain it, but it won't always be that way, because it's wrong.'
Because I would never work for a niche publication or a niche program on television and because I am a journalist and not an opinion person, my job is to try to see how many different points of view I can represent or how. It's not even a question of who you don't offend because you are always going to offend somebody. The question is how can you get people to listen to the information you have to present.
I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.
You can't be too careful what you tell a child because you never know what he'll take hold of and spend the rest of his life remembering you by.
All I’ve ever wanted to do is take stills of people, or take documentaries about people, and try to express to an audience how somebody lives next door. You know what I mean? Just how similar we all are as individuals.
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