A Quote by Steve Wozniak

I don't think I was talking specifically about Steve Jobs. It was just a general philosophy about one person grows up and he's kind of managing companies and every day he's working making sure this is in place and that's in place.
I think that the next album is specifically for sure from Cry Baby's perspective, but it's not necessarily about her family-life or her love-life, or anything like that, it's more about this place in this town. The place has different characters in there, so in every song there's gonna be different characters that appear.
Talking about jobs, and people - I don`t care if you`re a Democrat or Republican, they want jobs. And Sanders is talking about it and [Donald]Trump is talking about it and bringing jobs back and making our country great again.
A home is a place in time. And no place stays the same after you finally grow up and leave it. No place can ever change as much as the person who grows up there.
And again, we're kind of trying to be in that place, that's just so absurd and irreverent and hysterical and it's something that at our company we're kind of, we're so irreverent about everything, we're sort of irreverent about the establishment, we're irreverent about civilization, we're irreverent about philosophy, we're irreverent about religion.
'Steve Jobs' is my seventh movie. I believe, if you added them up, I don't think there is more than a total of 10 minutes that takes place in a person's home. They're all in offices, courtrooms, laboratories, things like that.
Sailing really forces you to be present and in the moment. You kind of forget about the bullshit of life. Your thoughts go away because you're focused on making sure everything's working. I like being in that place.
When we talk about economic growth, we're not talking about bringing a bunch of companies in that can make a bunch of bucks and hope they spend 'em in our city. We're talking about creating jobs, creating new companies and then we move from there to talk about cooperatives which can become some of those jobs, some of the solidarity economy where we can begin to band together people so they'll understand that a job is not a single individual affair but a collective affair.
I'm interested in power. I'm interested in the kind of polarities and equilibriums that take place within sexuality and philosophy and sociology. So in Versailles, in this type of setting, you have a place that is about absolute control, where everything has been thought about.
I started off as a young lawyer working against discrimination against African-American children in schools and in the criminal justice system. I worked to make sure that kids with disabilities could get a public education, something that I care very much about. I have worked with Latinos - one of my first jobs in politics was down in south Texas registering Latino citizens to be able to vote. So I have a deep devotion to making sure that an every American feels like he or she has a place in our country.
When you're designing and inventing the way I did, every minute of your life is put - every neuron in your brain into trying to think about the little code and how you can maybe have one less line of code and a little bit more straightforward from the beginning to the answer. And you don't have time to think about companies and products and how would I build this. So Steve Jobs and I were a very necessary pair.
I went to a place recently I think is one of the most f**ked up places I've ever been to. I'm convinced this place is the epitome of American excess, of American greed. I'm talking about a place called Cold Stone Creamery. Whoa. If you have not been there, the basic gist of Cold Stone is that they take ice cream and then they just go ape sh*t with it.
Many Lexington natives believe they live in a special place, one impossible to leave. I'm not so sure about that - or it's more accurate to say I think a more general truth exists beneath it: the place you first call home stays with you always, whether you remain or go.
I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.
For me, it's about making sure the mental side of my game is in a good place; if it is, then it's just about backing your ability when you are out in the middle and doing what you can for the team.
Everything that you could think about in life, or experience, or be interested in, theoretically should be expressed or dealt with in cinema. But the way typical narratives are set up, there's no room for philosophy, because it's just digressive material. It's not advancing the plot, so there's no place for it. It's the kind of stuff you would cut out, and that you shouldn't have put in there to begin with.
I think there's something kind of good about growing up in a place you know is not the cool place to be. I think it's good for your head.
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