A Quote by Steve Inskeep
I would say that the one incredible thing that Karachi has going for it is the unabated supply of new migrants that pour into it day after day. It could be a poor factory worker who simply wants a job, it could be an ambitious guy coming for an education - they all add hope and vibrancy to the city. Now, this is not something that is generally taken as positive in Karachi. But the hope is that the migration that comes into the city replenishes its stores of resilience and energy.
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When I choose the picture of the cover of the book 'Instant City: Life and Death in Karachi', I thought, gosh, many people in Karachi may not like this image; I'm representing the city as a burning bus. But to the contrary, they loved it, because that is people's understanding of their own city, of going on with life no matter what.
Bijli fails in the dead of night / Won’t help to call “I need a light” / You’re in Karachi now / Oh, oh you’re in Karachi now. / Night is falling and you just cant see / Is this illusion or KESC / You’re in Karachi now
So, I mean, there's still vast swaths of the city that are suffering from a lack of jobs and poor housing and poor public schools, but they are building momentum - you know, techies, foodies, artists, musicians, all coming to Detroit. So there is this vibrancy. You see it in the newspapers every day - some story about the new Detroit.
I hope that one day I will be able to play with City at the Sanchez Pizjuan in a Champions League game; it would be an incredible experience.
I think the one thing that I cannot do without each day is hope. If you put me in a position where you took all my hope away, I'm not sure I could make it through the day.
It's scary when one day the city is there and the next day it's gone. To see the water actual kill people, I couldn't believe it. I never fathomed it could bury a city.
There are a number of parallels between the slums of Brazil and those found in my hometown, Karachi. The dichotomy that exists in Brazil is uncannily similar to that found in Pakistan, and I hope to one day make a film that follows similar themes.
My father was a factory worker, and we were really poor. But everything I earned peddling papers and working in stores, he made me put aside for education.
People think of me as well-travelled, but I had not been out of Pakistan until I was picked in the Under-19 squad in 1997. The flight went from Lahore to Karachi and then from Karachi to South Africa. It was my first time on a plane and my first trip overseas.
This city will be chocolate at the end of the day. This city will be a majority-African-American city. It's the way God wants it to be. You can't have New Orleans no other way.
Hope? Hope is not the absence of tragedy, my friend. It is the conviction that tragedy can be endured. Hope is the spark in you that is not subdued in the face of the vast and callous indifference of the universe. Hope is that which is not shattered by hardship. Hope is the urge to fight what is wrong even when you know it will destroy you. Hope is the decision to love and need someone knowing that they will one day die. For me to promise that there are no obstacles would be the cruelest lie I could possibly tell. That lie is not hope. Hope is the will which needs no lies.
Old models of development simply seek to lure business with substantial tax breaks and then hope (and pray) that economic benefits will trickle down to residents. It has not worked for our city in the past, and it will not work for the future city that we all hope want to see.
I even went to film school at School of Visual Arts in New York City. And then, after that, I got a day job at Universal publicity department, then moved over to Disney publicity department. So I had this day job, and at night I would study music.
The day I won an Emmy was also the day my father passed away. I received a call from my sister on the way to the ceremony and had to turn my car around and catch the first flight back to Karachi.
When I was in my 20s, I started frequenting record stores, and there was one in particular called Tropicalia in Furs in New York City. It's closed now, but it was one of those magical places where you would walk in, and the owner would start playing you records and not let you leave. It was such an education.
What if I had been born during a war and I lived in an occupied city, and people were being taken out and shot every day? Everything would be different - even after the war ended, my future would be very different. Look at what these poor people in Aleppo are going through. The children, the ones who survive, are going to be absolutely altered by what they live through, and you and I, luckily, have never had to deal with that.
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