A Quote by Steve Kornacki

It's been a very strange thing to see the attention my clothes have gotten, just because it's so inversely related to the amount of thought I put into them. — © Steve Kornacki
It's been a very strange thing to see the attention my clothes have gotten, just because it's so inversely related to the amount of thought I put into them.
Even when we had new clothes, we were told not to wear them. You just didn't draw attention to yourself. Showing off was the worst thing you could do. We could put the clothes in the drawers - but not wear them.
I have realized that you can close yourself off to life if you put walls up, but it's a difficult thing ... You can't see over, people can't see in, and you also can't see out. So I've gotten quite comfortable with just being unafraid. I keep saying the same thing: it's not about being fearless but really just embracing the fears and using them.
I don't like to explain the clothes, how I made them, the theme, et cetera. It's because the clothes are just as you see them and feel them. That's what I want... just see and feel them.
I had said from the start that I thought Iraq was a mistake, that we should have stayed focused on Afghanistan. I think it was the right decision because the Taliban at that point had gotten a lot of momentum before I'd gotten into office, partly because we hadn't been paying attention as much as we needed to to Afghanistan.
Dialogue is really aimed at going into the whole thought process and changing the way the thought process occurs collectively. We haven't really paid much attention to thought as a process. We have engaged in thoughts, put we have only paid attention to the content, not to the process. Why does thought require attention? Everything requires attention, really. If we ran machines without paying attention to them, they would break down. Our thought, too, is a process, and it requires attention, otherwise its going to go wrong.
I think it's very important not to grow up with the unhealthy amount of attention that is sometimes put on people because they are 'actors'.
It's very unfortunate to see the amount of obstruction the Democrats have put forward. There has not been a point since the beginning of President Trump's term that they have said, 'Let's come to the table. Let's work with you.' Even when they see their own constituents suffering because of their failing healthcare.
I've gotten to wear such beautiful clothes and had such a variety and it's just been so nice because I feel like I've grown so much with my style and everything because I've been able to have fun with it. It's really fun for me.
The older I've gotten, the more I've gotten a little precious about music-related films as it comes to biopics. I kind of don't want to see it; I'd rather see a documentary. And this is just coming from me. I love music documentaries; I kind of don't want to see people embodying those people.
It's been a fascinating thing because we didn't really know how to write when we started South Park at all. It's been like, we've just sort of grown up a bit and it's amazing to just see how, if you take Butters and Cartman and put them in any scene, it works.
I tend to follow a very nocturnal sort of existence mainly because I don't much care for sunlight. Bright colors of any kind depress me, in fact. And my moods are more or less inversely related to the clarity of the sky, on any given day.... my private motto has always been that behind every silver lining there is a cloud.
If I had gotten the parts in 'Scream' or 'I Know What You Did Last Summer,' I would not have been very good in them, and I would've squandered whatever success I had gotten because I wasn't ready for that sort of thing. So I feel grateful for all of the years that I have behind me trying to get traction and a career.
What I think is dreadful about art is the way it's related to the money afterward. Not when you do it... But after that, it's like 5,000 rich people have access to it. A movie, even though it can be a bad movie or a good movie, it is more democratic. The people who buy my films, the people who buy my installations it's sometimes a foundation or a museum. When it's a foundation, it's related to very, very, very rich people - who are your enemies! Your enemies are feeding you. But you're not meeting them. So it's a very strange thing.
At the end of the day, no amount of investing, no amount of clean electrons, no amount of energy efficiency will save the natural world if we are not paying attention to it - if we are not paying attention to all the things that nature give us for free: clean air, clean water, breathtaking vistas, mountains for skiing, rivers for fishing, oceans for sailing, sunsets for poets, and landscapes for painters. What good is it to have wind-powered lights to brighten the night if you can't see anything green during the day? Just because we can't sell shares in nature doesn't mean it has no value.
I was asked by an NPR reporter once why don't I talk about race that often. I said, 'It's because I'm a neurosurgeon.' And she thought that was a strange response... I said, 'You see, when I take someone to the operating room, I'm actually operating on the thing that makes them who they are. The skin doesn't make them who they are.'
I was asked by an NPR reporter once, why don't I talk about race that often. I said it's because I'm a neurosurgeon. And she thought that was a strange response. And you say - I said, you see, when I take someone to the operating room, I'm actually operating on the thing that makes them who they are. The skin doesn't make them who they are.
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