A Quote by Steve Coogan
Look at all those American preachers who got caught with their pants down. They say one thing and they are doing another. I try to be more honest about it, both in my thinking and my behavior.
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So we, Democrats, have a responsibility there, every one of us, both to try to treat the Republicans with respect and as human beings to try to work with them on every issue we can, and then if those cannons are fired at us, we've got to stand up and fight back. If you lay down and you look like a deer caught in the headlights, then you will confirm the assault. And so we have to fight back.
I never sought out a record deal. It caught me with my pants down. I was just a musician doing my thing, I didn't even send my records out.
Nondiscrimination is a great American principle. It's a core American principle, as is religious freedom. When you have two important American principles coming into tension, into conflict with one another, our goal as Americans is to sit down and try to see if we can uphold both.
Look, I get it. Whether it's school, work, family, we've all got a lot on our minds. People say to me, "I'm just too busy to think about politics." But here's the thing: You may not be thinking about politics, but politics is thinking about you.
It's one thing to say don't commit atrocities on the battlefield. It's another thing to say don't get caught doing atrocities.
I'm writing this down, because it is going to be hard for me to say it. Because this is probably our last time just us. See, I can write that down, but I don't think I can say it. I'm not doing this to say goodbye, though I know that has to be part of it. I'm doing it to thank you for all we have had and done and been for one another, to say I love you for making this life of mine what it is. Leaving you is the hardest thing I have to do. But the thing is, the best parts of me are in you, all three of you. You are who I am, and what I cherish in myself stays on in you.
I think that probably the most important thing about our education was that it taught us to question even those things we thought we knew. To say you've got to inquire, you've got to be testing your knowledge all the time in order to be more effective in what you're doing.
I'm from Texas, so we used to wear our pants starched down like a cowboy. So when I got to New York, to New Jersey, everybody was laughing at me like, 'Look at his pants! His pants could stand up by themselves!'
First we have to recognize that the cause of poverty is both structural and behavioral. And the first thing about the behavior part is that we need a moral revolution within the African American community. Look - no white racist makes you get pregnant when you are a black teenager.
The only thing I have to say to people - try being the hero of your own world one day. Don't spend your life thinking about what somebody did or if they failed at this or if they did great at that or they got caught with a monkey, in a bathtub, having sex. You should at one point become the hero of your own world.
Now we may have more preachers out there than we have drinkers. But a fellow told me a story one time about a man down in Kentuckywhere they make bourbon. And he said you can take a jigger or two jiggers and get by all right. But if you try to take the whole bottle why you have lost what you started with. So don't try to take it too quick. And don't try to do all of it at once. I don't do much promising. I tell what my goals are and then I try to wrap it up and put a blue ribbon on it and get it delivered. We say put the coonskin on the wall.
Does anyone need yet another politician caught with his pants down and money sticking in his hole?
The thing about architecture is that it's an art [you] simply learn more by doing more. It's one of those things that is really not an art about thinking, but doing. So in a way, what it has done is greatly intensify the way that I build.
Editing rooms are kind of, by definition, a bubble of you and the editor and what you're thinking. It's a truth-telling thing to watch it through someone else's eyes, is to get another level of real with your material. Like, "Maybe that's not that funny. Maybe that's not as interesting. Maybe that's redundant to something else. Maybe we can cut down." I don't know. It's a brutal, honest process. You've got to be pretty - You can't be sentimental. You have to be. It's a cold process. You can't be nostalgic. You have to make those tough decisions.
When we look at the arts and letters in America, especially if we look at poetry, and poetry set to music, this dialogue, we have this very powerful beautiful, eclectic, diary, or narration of being in America, being American, participating in America, becoming more of America and also as an American, the American creative spirit, which is quite interesting. Our composers and poets have spent more time writing and thinking and speaking out of what it means to be a composer or poet as well as to be an American, or a composer or poet In America; both relationships.
Everyone likes to have fun. But when I look back on my life, I'm not going to say, 'Oh, we're the crazy party animals.' I'll look back and say, 'Wow, we did take this seriously.' We had fun while we were out doing it, but it's just the only thing you read about: 'They're a bunch of party animals.' To be honest, that's not true.
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