A Quote by Steve Miller
There aren't that many people that cover my music. It's kind of hard to cover. Everybody always has their own spin. The only guy who didn't, I think, was Seal. It just sounded like a bad version of 'Fly Like an Eagle.'
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Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
It takes two wings for an eagle to fly. If an eagle were to try to fly with just one wing he would only spin around in circles on the ground. The same is true with many people who are trying to soar spiritually on their faith, but have not added patience. These just keep going around in circles, getting more and more frustrated and kicking up a lot of dust. Any truth that we teach without this counter balancing truth will lead us to frustration, not fulfillment.
There's a video that's been floating around on YouTube where [Baz Luhrmann says], "We were looking for a guy that sounded like a young Stevie Wonder but much more we got a guy that sounded like a younger version of Aretha Franklin. His name's Quindon Tarver." I was just like, "Wow, to be compared to her."
Sometimes people look at our covers and say, "That looks just like that other cover." I say, "And?" It reminds them of a cover from way back when. If you know the cover, then pull it out and compare it. I don't care. It's supposed to bring back memories.
My friends make me laugh: funny Instagram videos, but mostly people falling over. It's so bad, but it never gets old. I just love how people cover up their falls. The whole experience of 'Oh, I just fell, and I'm going to run out of the fall and pretend I did this on purpose.' I just like to see how people cover up their mishaps.
I suspect that relatively few people will sit down and read 1250 pages [ of The Enduring Authority of the Christian Scriptures.] all the way through from cover to cover. There may be some, but not everybody. But there are many, many, many different Christian, theological, pastoral, specialisms that are covered by one section or another of the book and this will become, therefore, a resource volume for many people.
Ever since I was a kid, I always wanted to play music that I liked, and even when I was in cover bands when I was a teenager we only played cover tunes that we liked. That was the simple morality that I grew up with.
I kind of disguise my limitations by hanging out with very talented people. The excitement of the collision between the microphone-twirling guy from 1966 to now is just a fantastic adventure. There aren't many of us left and I've managed to kind of cover my tracks pretty good.
I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.
It's like, whenever I do any kind of cover, if it's a jazz piece or pop cover, I want to honor the original and make sure that the bulk and the juice of what makes that so great is there, but take it to a different place.
For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.
News, after all, is a spin of words and pictures. It's a kind of music. There are beats in a newscast, a newspaper story. Ed Murrow sounded like Ed Murrow. Huntley and Brinkley sounded different. Anderson Cooper, different still.
I don't pass myself off as a Bible scholar or a pastor or someone who knows all the biblical facts cover-to-cover. I'm just a guy whose life was changed by it. And that's about the extent of it. So I'm not easily offended when people struggle about where they're at with their faith at all.
I told my mom, 'I'm not buying another magazine until I can get past this thought of looking like the girl on the cover'. She said, "Miley, you are the girl on the cover,' and I was, like, 'I know, but I don't feel like that girl every day.' You can't always feel perfect.
Occasionally, I'll want to cover something that's outside of my audiences' tastes or interests. Every week or so I have to try and cover at least one or two of those things to keep my sanity. If you're only reviewing what is in the top album spots on Apple Music every week, you can get kind of jaded.
I think that fear came from, "Okay, I'm going to have Beyoncé in the title, and people are just going to think, it's Beyoncé poems. It's light and fun." I was kind of super-conscious of that. It's kind of like this weird trick I'm playing, where you're like, "What an interesting, fun cover, and then the name Beyoncé." Then you open it, and it's just about my depression. All of it belongs together.
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