A Quote by Steve Harvey

To be No. 1 on the 'New York Times' best-seller list, well, that's alarming. Having been a stand-up comedian, I think it's surprising to a lot of people that I had the insight I had.
Heinlein never had a best-seller. Even, I think, with Stranger in a Strange Land, I don't think it was actually on the New York Times best seller list.
If I can hit No. 1 on the 'New York Times' best-seller list, I'm thinking of having the entire list tattooed on my body somewhere. It would be fabulous.
When you've written 10 books and have six on the New York Times best-seller list - and four have been No. 1 - I think you have a right to be a member of Congress.
Insider can be more ludicrous. How did I ever end up [as one]? Carsick [Waters's book on hitchhiking] was on the New York Times best-seller list for five weeks. [One of the characters was] a singing asshole that does a duet with Connie Francis! Times have changed. That's mainstream, in a weird way.
[As of November 17, 2006] 'Noelle's Treasure Tale' has remained at No. 3 on the New York Times children's best seller list since its October 10 release.
The point is that if a book that had been published three years ago started to sell twice as many all of a sudden it probably wouldn't even get no­ticed. People wouldn't be tracking it. The system has cleaned up its act an awful lot but the best-seller list system is not an entirely foolproof thing.
'Jaws' was the first A-list picture that was released like an exploitation picture. They made a lot of money with that picture because they could save a lot of money on advertising. Instead of having a full-page ad in 'The New York Times' for one theater, they had it for 100 theaters.
When I got my very first phone call that I'd hit the 'New York Times' list, I had a small rush of 'I've made it!' But the next morning, it occurred to me I didn't know what it was, so I called my agent and asked what being a 'New York Times' bestselling author really meant. He informed me that I was now a thousand pound gorilla.
Too many people write books because they want to be a New York Times best-seller. They want the glory and the fame.
You can look at the New York Times Bestseller List and you can be pretty sure that the writers on that list don't know each other very well.
I ain't no author, man . . . my writing skills are not of "New York Times" best-seller quality, trust and believe it ain't. My vocabulary ain't.
I ain't no author, man... my writing skills are not of 'New York Times' best-seller quality, trust and believe it ain't. My vocabulary ain't.
Well, I think one of the reasons Chicago became so popular as a filmmaker location is because New York had been used so many times that Chicago, I think, was rediscovered maybe in the late '60s, early '70s for a long time as a new location.
I knew that drinking and doing stand-up was going to make me less of an effective comedian. And I just had a lot invested in wanting to be a really good comedian and so I stopped for that reason.
It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
At the time, I was reading this Miles Davis book, and he was talking about coming to New York right after he was in high school. It kind of made me feel like, "Yeah." I didn't want to go to college; I wanted to do stand-up. And I figured, "What's the point of doing stand-up around DC? I'm always going to be under-appreciated there because I started there." I felt like I was strong enough and unique enough that I should give it a big leash to shine. New York was the best thing that ever happened to me as a comedian.
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