A Quote by Stephen Gardiner
The interior of the house personifies the private world; the exterior of it is part of the outside world.
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One of the reasons to go to South Africa is because we can create great standing sets, both interior and exterior, and have the opportunity to create an actual water set outside, which will allow us to build a boat and probably part of another ship to be able to really bring that world to life.
All things, all circumstances that occur outside ourselves, on the stage of this world, are exclusively the reflection of what we carry within. With good reason then, we can solemnly declare that the 'exterior is the reflection of the interior.' When someone changes internally and if that change is radical, then circumstances, life and the external also change.
I want what we all want," said Carl. "To move certain parts of the interior of myself into the exterior world, to see if they can be embraced.
One of the characteristics of love relationships that flower is a relatively high degree of mutual self-disclosure - a willingness to let our partner enter into the interior of our private world and a genuine interest in the private world of that partner. Couples in love tend to show more of themselves to each other than to any other person.
My parents were distrustful of the outside world. They didn't think much good came out of it... The outside world was this strange place that was not so much dangerous as not as interesting as what went on in the house.
In Japanese houses the interior melts into the gardens of the outside world.
Every writer's difficult journey is a movement from silence to speech. We must be intensely private and interior in order to find a voice and a vision - and we must bring our work to an outside world where the market, or public outrage, or even government censorship can destroy our voice.
I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
The idea of private property universal but private, the idea of families free but still families, of domesticity democratic but still domestic, of one man one house - this remains the real vision and magnet of mankind. The world may accept something more official and general, less human and intimate. But the world will be like a broken-hearted woman who makes a humdrum marriage because she may not make a happy one; Socialism may be the world's deliverance, but it is not the world's desire.
Clothing and makeup and hair and all of that so much indicates the kind of person you are inside and the person you are presenting on the outside. Sometimes they are in conflict, and sometimes they are the same. That psychology of the exterior informing the interior is just so interesting.
You can be as exclusive as you want to in your house, but once you walk outside your house, you have to realize that it's not your world anymore: it's all of our world.
The American house has been TV-centered for three generations. It is the focus of family life, and the life of the house correspondingly turns inward, away from whatever corresponds beyond its four walls.At the same time, the television is the families chief connection to the world. The physical envelope of the house itself no longer connects their lives to the outside in any active way; rather it seals them from it.The outside world has become an abstraction filtered through television, just as the weather is an abstraction filtered through air conditioning.
To touch a person...to sleep with a person...is to become a pioneer," she whispered then, "a frontiersman at the edge of their private world, the strange, incomprehensible world of their interior, filled with customs you could never imitate, a language which sounds like your own but is really totally foreign, knowable only to them.
The time has come to realise that an interpretation of the universe—even a positivist one—remains unsatisfying unless it covers the interior as well as the exterior of things; mind as well as matter. The true physics is that which will, one day, achieve the inclusion of man in his wholeness in a coherent picture of the world.
The boundary line between self and external world bears no relation to reality; the distinction between ego and world is made by spitting out part of the inside, and swallowing in part of the outside.
Every spirit builds itself a house; and beyond its house, a world; and beyond its world a heaven. Know then, that the world exists for you: build, therefore, your own world.
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