A Quote by Stephen Gostkowski
All I really think about is, 'Don't try to kick the ball too hard,' because a lot of times when I missed kicks, it was because I tried to kill it. I just try to think of a smooth swing, being slow and under control, and making the kick.
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A lot of times guys have the tendency to try to kick it too hard or over-kick it. Just like a golf swing, the harder you try to hit it the less chance you have at it going straight.
Reality is what kicks back when you kick it. This is just what physicists do with their particle accelerators. We kick reality and feel it kick back. From the intensity and duration of thousands of those kicks over many years, we have formed a coherent theory of matter and forces, called the standard model, that currently agrees with all observations.
I have tried to teach people there are three kicks in every dollar: one, when you make it; two, when you have it. The third kick it when you give it away - and it is the biggest kick of all.
We were always taught to swing slow with good tempo. But you have to have some acceleration throughout the swing. I think that's where a lot of women go wrong. They should try to whack it a few times and see what happens.
The hardest thing about an easy match is making a weak opponent play poor. A poor player isn't poor because he tends to kick the ball in his own goal. It's because when you put intense pressure on him, he loses control. So you have to increase the tempo of the game and he'll automatically give the ball away.
I try to keep it real simple. I try not to add a lot of frosting on what I'm doing. Just take the swing and don't muscle the swing, because if you get in the hitting position and you take the swing, I generate a lot more bat speed, and that works for me.
It's really hard not to think too much. If I try to control the sled too much so that I have perfect lines, I'm really slow.
"My swing is too fast" may be the biggest misconception ever. Think about it. If you take a fast, lousy swing and slow it down, all you've got left is a slow, lousy swing. Most people swing too slow, not too fast.
I almost want to ask the judges, 'If you don't count leg kicks, if you don't count body kicks, why not?' So if you don't think they're effective in the scoring criteria, they're not effective striking, effective grappling, so how about I kick you in the body, I kick you in the leg, and you tell me how that feels?
I just try really hard to be me, and sometimes that means I'm unfiltered. I try to give people myself because I think making a great product is being in touch with how you feel about things and being able to express things. I really hope I can stay in touch with how I feel about things and I'm able to express that.
I was always making decisions and they were easier decisions because I had control of the game, I had control of the ball. As a coach you sort of put the ball in other player's hands and let them make decisions for you. But I still get a kick out of winning basketball games and that's what I'm in this for.
I think that a lot of battle rappers have a difficult time making songs because they don't know how to do a song format. They're so stuck in that whole battle rap mentality that really all they want to do is just kick rhymes.
I try to treat every kick the same and I want to make every kick, let alone the kick at the end of the game.
I'd rather have head stomps and kicks to the head on the ground rather than elbows because I think to kick someone in the head while they're laying on their back is very hard. Elbows are easy. You can be here, and I just cut you and won the fight.
You lose weeks of sleep over a bad game, and a bad game could be one missed kick. So the ones you make, you just try to build on the confidence with it, and the ones you miss, you try to get it out of your head as quickly as possible and try to make the next one.
Before I studied the art, a punch to me was just like a punch, a kick just like a kick. After I learned the art, a punch was no longer a punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick. The height of cultivation is really nothing special. It is merely simplicity; the ability to express the utmost with the minimum.
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