A Quote by Stephen Greenblatt

In short, it became possible - never easy, but possible - in the poet Auden's phrase to find the mortal world enough. — © Stephen Greenblatt
In short, it became possible - never easy, but possible - in the poet Auden's phrase to find the mortal world enough.
It is not possible to sin enough to be happy. It isn't possible to buy enough to be happy, or to entertain or indulge or pamper ourselves enough to be happy. It is not possible to hide enough or run far enough away from trials and troubles to be happy. Happiness and joy come only when we are living up to who we are... I have never met anyone who was happier because he was immoral, or because he was addicted to something, or because he was dishonest and compromised his integrity.
People often think of artists and scientists as being diametrically opposed, but we both believe something is possible. We have a hypothesis and then we do everything to make it possible, but we don't know if it's possible! All the scientists I've worked with have a natural, easy fit with me. The solutions they find are truly creative. All scientists, in some way, are artists.
I've always wanted to get as far as possible from the place where I was born. Far both geographically and spiritually. To leave it behind ... I feel that life is very short and the world is there to see and one should know as much about it as possible. One belongs to the whole world, not just one part of it.
It is possible to care too much. It is possible to believe that you will never be as good as anyone else. And it is possible to let these things take over.
The soundest strategy in war is to postpone operations until the moral disintegration of the enemy renders the delivery of the mortal blow both possible and easy.
What's possible today isn't bound by what was possible yesterday, and is never a measure of what's possible tomorrow.
It is possible to fail in many ways . . . while to succeed is possible only in one way (for which reason also one is easy and the other difficult - to miss the mark easy, to hit it difficult).
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
Make the impossible possible, the possible easy, the easy elegant.
We live in a world where joy is possible, love is possible, happiness is possible; where all things are possible, if we're willing to take the time, take a chance, take a breath and step off the edge of everything that is for the sake of everything that might be.
Do not seek to find a reason why elections are not possible. Seek to make them possible, and they will be possible.
And a beautiful world we live in, when it is possible, and when many other such things are possible, and not only possible, but done-- done, see you!-- under that sky there, every day.
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase a scientific word or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.
It is not easy to find happiness in ourselves, and it is not possible to find it elsewhere.
My favourite way of watching the cinema is the biggest possible cinema you can find, with the biggest possible screen, and the loudest possible Dolby - but just me. Nobody else.
I think it was W.H. Auden who said he was lucky that his first favorite poet was Thomas Hardy, who was a good but not a great poet, because if you are exposed to the greats too soon it can just squash you as a writer.
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