A Quote by Stephen Colbert

(Rush are) like the JD Salinger of Canadian Prog Rock — © Stephen Colbert
(Rush are) like the JD Salinger of Canadian Prog Rock
Well I knew JD could go out there and knock the guy out because in training I told JD all the time that he has height, reach and size and he has the power. JD has such a right hand, his right hand is like wow, oh man it is bad.
I'm a huge fan of Canadian rock-and-roll. When I was growing up, Rush came out with a record called Hemispheres, and I must have listened to that record for two years straight. Even when I was asleep I had it on. So, yeah, whenever I hear a Rush tune, the first thing I think of is Toronto.
Is punk rock really music, or is it really just an attitude? I get into that discussion with people all of the time. I personally consider be-bop jazz to be punk rock. And prog rock would definitely fall in that category too.
I think a lot of ["Cosmopolitans"] is marked by [Jerome David] Salinger. Salinger wouldn't allow his works to be adapted for film after his experience with "Uncle Wiggly in Connecticut," and I think that's great for us because then we have to do our own Salinger stories.
Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.
The Raspberries was formed as kind of a reaction to prog rock, which we didn't like. 'Let's bring some songwriting and harmonies back to music' And we did that.
I think that prog rock is the science fiction of music. Science fiction speculates on what the future might be and look like and how we'll get there, and yet there's always a central theme of humanity, or there should be. Progressive rock has the same concept of exploration into the parts of the music world that hasn't been explored.
California is a tragic country — like Palestine, like every Promised Land. Its short history is a fever-chart of migrations — the land rush, the gold rush, the oil rush, the movie rush, the Okie fruit-picking rush, the wartime rush to the aircraft factories — followed, in each instance, by counter-migrations of the disappointed and unsuccessful, moving sorrowfully homeward.
I'm not sure at all about the current prog rock scene.
It's perhaps easier to say what prog rock isn't than what it is: it's not three-minute pop songs, it's not straightforward rock, metal, blues or jazz, but can have elements of all them and more. It's a form that is on the boundaries of many different forms, that is open to all sorts of influences.
I was a huge prog rock fan as a kid in high school, and I'm so thankful for that.
Let me say it up front: I don't like bad hair or capes. I'm not into witches, warlocks or elves. I would never try to claim prog rock is cool. But I love it. And I know I'm not the only one.
A Canadian is a Canadian is a Canadian. And you devalue the citizenship of every Canadian in this place and in this country when you break down and make it conditional for anyone.
Without trying to get too self-indulgent, there's a fine line between making something that's soundtracky and cinematic, or making it sound like a bad 70s prog-rock record.
Prog rock, with a little good taste, is ok. I tried to bring some of it into this century, I guess.
I listen to a lot of different things. I'll be listening to prog rock, then the next couple of hours - Indian.
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