A Quote by Steven Pressfield
One thing I've found in any project is almost universally about three quarters of the way through - or maybe a little father, maybe seventh eighths on the way through - any project will explode.
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The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.
Half-way through any big project, everyone forgets what they're doing.
'Superunknown,' maybe more than most albums, didn't reveal itself to be what it was until the very end - literally until we were three quarters of the way through mixing it.
Another vampire pushed her way through the crowd to stand at his side—a pretty blue-haired Asian girl in a silver foil skirt. Clary wondered if there were any ugly vampires, or maybe any fat ones. Maybe they didn't make vampires out of ugly people. Or maybe ugly people just didn't want to live forever.
Since I found that one could make a case shadow from a three-dimensional thing, any object whatsoever - just as the projecting of the sun on the earth makes two dimensions - I thought that by simple intellectual analogy, the fourth dimension could project an object of three dimensions, or, to put it another way, any three-dimensional object, which we see dispassionately, is a projection of something four-dimensional, something we are not familiar with.
Now I have been studying very closely what happens every day in the courts in Boston, Massachusetts. You would be astounded--maybe you wouldn't, maybe you have been around, maybe you have lived, maybe you have thought, maybe you have been hit--at how the daily rounds of injustice make their way through this marvelous thing that we call "due process.
But I need to wake up somehow. Or maybe not. Maybe it’s best to get through the day half-asleep. Maybe that’s the only way to get through today.
A great trick that I learned having worked as a screenwriter for many years, the way screenwriters work, is they break the project down into three-act structure: Act 1, Act 2, Act 3. I think that is a great way to break down any project, whether it's a new business or anything at all.
But as we went on, and you keep practicing and rehearsing more and more fight scenes, it clicks and you just get it. It's almost like a soccer game. If you take enough shots on target, one of them is going to go in. As soon as it does, something happens and it just registers. I found it a lot easier after that, which was about three-quarters of the way through the shoot.
I don't think, there's no possible way for me, anyway, to play a character that I haven't found some sort of sublime compassion for and I related to Deborah on a way that almost, initially, almost in a way maybe someone in the audience might.
Maybe you will be afraid and maybe you will fail, but the courage to take risks in any part of your life is, I feel, a very worthwhile way to live.
Any carefully planned thing destroys the creativity. You can't think your way through a story; you have to live it. So, you don't build a story; you allow it to explode.
It was supposed to be in the second street project for Main Street. But who knows? Maybe it will be built one of these days. We never throw away any idea.
I think it is important to be present in the places where you are working. It is not only about doing a project, but following the project through its construction.
Usually when I start a new project there's a fear of the unknown; maybe it's a band I've never been in the studio with before. People are so different. It's almost like you need to go through the process, discover and unlock what it is that makes that band that band. And a lot of times they don't know it.
But she couldn't dismiss easily his light touch with her. No pushing or pressing, none of that herding and corralling bullshit, unlike any of her old boyfriends. And maybe who you fell for and who you eventually loved wasn't rational, no matter how hard you tried to list pros and cons and sum the results. You couldn't think your way through it, not all the way. Maybe just the scent of somebody carried more weight than everything else put together.
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