A Quote by Stephen R. Bissette
I think all kids understand from a very tender age that dinosaurs were real. They really walked around. That instantly sets them apart from monsters. And it instantly makes them safe. Because you can love 'em, and they're never going to bite you. They're not like a dog. They're safer than a pet, in a weird way.
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You can be instantly scared. You can be instantly happy. So why can't you be instantly romantically in love? I think when it happens, it's because you are ready to fall in love.
I love that I can stay connected with my fans and be able to tell them what's going on - their opinions are so important to me. But at the same time, it's very weird. I think the Internet can be a great thing but also really evil. Something can instantly hurt your feelings.
You see something happen to a population whereby everyone adopts something that's just preposterous in a way that makes it normal instantly. If any one person prior to the rash of puka shells, for example, was seen wearing puka shells, he would look like an idiot. But when everyone is wearing them, it instantly makes them normal.
When I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. But I never let them get in the way of the monsters.
This was weird. The thing that could have driven two friends instantly apart was actually drawing them closer together.
If there's any advice I have to give, I would say it's that. If you're looking for a way to get closer to your kids, there ain't no better way than to grab 'em and read. And if you put them in front of a computer or a TV, you are abandoning them. You are abandoning them because they are sitting on a couch or a floor and they may be hugging a dog, but they ain't hugging you.
That's just the way the world's going - everything has to be so instantly commercial that it kills anything that's a little bit underground instantly.
Of course, watching 'Stand By Me' is, to me, the pinnacle of child performances in movies or shows. It doesn't get much better than that, and those kids, you feel like you know them instantly and they feel real.
Just wearing the corset means that you can never really relax from the moment that you put it on. So, there's a constant sort of strain and you have to hold yourself in a certain way. It's very uncomfortable. But again you instantly understand the repression that women feel and how much they were captives. It's sort of sad really.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
I think it's really important, especially with the work space, to create a place that makes people feel creative, where they feel safe, and they feel like they're instantly connected.
Yeah, I know my way around some guns, which is weird because I have no time for them. I don't like them at all but I can take apart guns and put them back together and stuff, so I didn't have to go to the range. I don't think I will ever to go 'the range' again! I've done enough of that.
My twitter fans are all pretty weird. A lot of them are kind of weirdly sexually aggressive. Some of them made me laugh and then I instantly tried to forget them, because I'd hate to find myself in a bar kind of drunk and accidentally use one.
'Carrie Diaries' was one of the scripts that was sent my way, and it was instantly something I wanted to work on. It was very charming, and there's a lot of heart to it. It was touching and nostalgic and relatable, and it validates so many coming-of-age issues in an open and honest way. I think it speaks to real life.
I love my kids, and the moments I have with them, and it's kind of weird, it's such an age old cliche, but the way that my sons, the way they make me feel when I look at them, the way they say things, no one else would probably react to them, but it's a special thing for me.
Amphibians are dying out like crazy, and frogs and salamanders may be largely extinct by the end of the twenty-first century. Imagine an animal that begins its life in the water, but ends it on land - already, that's pretty weird. But, also, a lot of them are incredibly tiny and look wildly improbable. They have funny little toes, they stretch their throats into weird bubble shapes when they croak, and some of them are poisonous to the touch. I think kids from the twenty-second century might mythologize amphibians the way kids today mythologize dinosaurs.
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