A Quote by Steven R. McQueen

I don't think I've ever had a strange fan interaction. Just any time anyone is willing to come up and say hi or something like that, it's very flattering. — © Steven R. McQueen
I don't think I've ever had a strange fan interaction. Just any time anyone is willing to come up and say hi or something like that, it's very flattering.
When people write fan-fic sequels to one of your books, it gives you a very strange feeling. It is very flattering but strange, as if the characters have come to life again without you knowing.
It's very strange to go to cities like London and New York. People walk so quickly, they seem to be in a hurry all the time. And you don't say 'Hi' to everyone you meet, and you don't smile to everyone you meet, because there's just so many. Which is also very strange.
Television is just amazing - how many people see it and how many people recognize you, and I think once you've had the opportunity and have been in front of the public, it's very flattering to have people come up and say hello to you. It's a tremendous industry. I've been in places where people come out of the woodwork. And you would never think - small towns in France or traveling through Europe - and there are so many of those people there that recognize you, and you've been in their homes. I find it to be a very flattering thing.
If I say to my daughter, "Go say `hi' to Aunt Gertrude," there is a reason there. I'm teaching her manners. I think the idea that she'll say `hi' to Aunt Gertrude only if she wants to is the biggest crock of silliness I've ever heard. Yet I meet people everyday who were clearly brought up to think that if they didn't want to say "hi" to Aunt Gertrude, that was fine.
When he finished up with the Twins and even after he was done, he was always down on the field, so I had a chance to talk to him every time we came into town. Even my first couple of years - when I was still wet behind the ears - he was more than willing to come over and say, 'Hi.' Obviously, he didn't have to introduce himself, but he spent a little time and asked me how I was doing. And it always meant a lot. Anytime you have somebody of that stature on and off the field to take time and be willing to come talk to you, it means a lot.
It's not the norm when creators have any protections with regards to creative control. And so it took some time, I think, for the strip to gain enough popularity where I had enough leverage to come in and say, "It has to be done in a certain way or it's not going to be done at all," and then have people willing to put up with that who were ultimately paying for it. You know, for them to be willing to kind of concede those kind of things. It just takes time, you know?
I think there's a balance of fan interaction. I think sometimes there can be a little too much interaction. I know when I was a kid, the mystique of wrestlers and stuff was something that was kind of big, and if I got to hang out with them all the time i think that mystique can be lost.
It's so flattering to know that Wilton is a fan of mine, because I've been a big fan of theirs for a long time. I use their products when I bake, and I can't wait to see what ideas we come up with together.
When I was growing up, I had a G.I. Joe doll, and now, to see a recreation of my character as an action figure ... it's strange. Because Worf doesn't really look like Michael Dorn without makeup, it's easier to separate myself from these recreations, but it's still strange, flattering, and weird all at the same time.
For ever and ever, we say when we are young, or in our prayers. Twice, we say it. Old One, do we not? For ever and ever ... so that a thing may be for ever, a life or a love or a quest, and yet begin again, and be for ever just as before. And any ending that may seem to come is not truly an ending, but an illusion. For Time does not die, Time has neither beginning nor end, and so nothing can end or die that has once had a place in Time.
Hi, this is Bernard Fanning from Powderfinger. I'm in New York at the moment, and we've been walking around the city, it's pretty strange. I was walking along with Darren and Cogsy yesterday and we saw this guy playing cards, a little two up type swindle, and he ripped this guy off for like one hundred bucks in like, ten seconds, and the guy started complaining so he just packed up his shop and left! And it was the smoothest swindle any of us had ever seen. So that was probably the highlight of our trip here so far.
The truth is I've just never had any kind of plan at all for my career, which is probably not a very flattering thing to admit. I don't know that I'd ever planned to be in this situation. I'm still just an idiot, really really stupid. It's not like I'm now a genius because this has happened. I just got hugely lucky.
It is a little weird now, going over to Heath's place. It's like, 'Hi Heath, hi Nomes.' Very strange!
I had been at Comic-Con, and I have the same manager as Bob Morley, so we ended up at a Warner Bros. party. I met Jason Rothenberg for the first time, and he's a fan of Black Sails and Shameless and some of my work, and was like, "Hey, we've been having trouble casting this part. I think you'd be perfect for it, if you'd be willing to come up and have some fun for some episodes."
It's always been strange to me that someone can say they're a vampire fan. I'm not a non-fan, but it's such an unusual thing to be a fan of. That's like saying, "I love zombie movies! I just love 'em! They're my favorite!" That's more of a psychological problem than being an actual fan.
That's the only interaction I have with people, those talking shows. Most of the people in my phone book are artists, management, producers, engineers. I don't ever call people with, "Hi! How are you?" I say, "How are you? Do you have that 16/30 ready? When do you want me to come into the studio?" That's what I do.
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