A Quote by Stephen Rodrick

As anyone who has read 'Sports Illustrated's Steve Rushin knows, it's quite possible to write an unreadable column without being a TV pundit. But if you want to be a consistently good columnist, you can't be on television.
I had written a lot about my dog dying before. I wrote a newspaper column about it and it turned out to be the most popular column I'd ever written. That and the lame Joni Mitchell column I did. But the dog column, my god! People love dogs. Anybody who writes regularly should know, when in doubt: dogs! If you're a columnist, when in doubt, write a column about the culture of narcissism - like a scolding column about the culture of narcissism - or write something about dogs. That's the homerun in my take.
When I was at The Orlando Sentinel as a sports columnist, it was embarrassing that I was the only black female sports columnist at a daily newspaper in North America.
When my TV show, 'Sports Jobs with Junior Seau,' assigned me to be a 'Sports Illustrated' reporter for a weekend, I didn't realize I'd have to squeeze it in around another sports job. I had planned to retire from the NFL to enjoy the cushy lifestyle of a full-time reality TV star, but I wound up getting run over by a bull.
I work for ABC television; I have my own syndicated TV series. I've been on the cover of 'Time Magazine' and on the cover of 'Sports Illustrated' five times.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
Stephen A. Smith is the hardest-working man in sports show business. The ubiquitous basketball pundit appears on ESPN about 10 times a day as a regular on the show 'NBA Fastbreak,' a guest commentator on 'Sports Center,' and a pundit on 'ESPNEWS.'
If you're doing a column, you kind of have to. Like in the back of Sports Illustrated, Rick Reilly has to find something to be mad about. It's not really the way I approach things.
The best thing about conceptual poetry is that it doesn’t need to be read. You don’t have to read it. As a matter of fact, you can write books, and you don’t even have to read them. My books, for example, are unreadable. All you need to know is the concept behind them. Here’s every word I spoke for a week. Here’s a year’s worth of weather reports... and without ever having to read these things, you understand them.
Being a TV comedian, actor, writer, columnist, and all that is quite helpful to me in acquiring wide varieties of knowledge, which is crucial for filmmaking.
I can write any kind of novel I want, any time, and sell it, but there's not that many people watching it. Even a low-rated TV show is a couple million more people than read my books. You want to be read, in essence. If you're a television writer, you're a writer and you want people to read your stuff. You're still reaching a bigger audience, that way. That's a philosophical way to look at it.
I had started writing for 'Sports Illustrated,' which was really my dream job growing up. But the writing probably read like I was auditioning to write for 'Letterman' or '70s-era Carson.
I read everywhere. It's like a bodily function. I don't need quiet. I write and read with the TV on. I follow the TV show while I read. TV doesn't require a lot of brainpower.
I don't watch TV but occasionally I'll read the Washington Post. I will say that sports are the only "real thing" on television.
Cast aside any column about two subjects. It means the pundit chickened out on the hard decision about what to write about that day.
I used to give her [my wife] to read the column every week before I sent it to the editors. And sometimes she was so mad - are you crazy? You're not going to send that, or, you're not going to write that about me. So I would go, OK. You have five hours. Go ahead, write the column yourself.
I wanted to be a columnist so badly that I took a huge pay cut to leave Forbes, which wouldn't give me a column, and join Newsday, which wanted my column for its Sunday business section.
This site uses cookies to ensure you get the best experience. More info...
Got it!