A Quote by Steven Sebring

I shot [Dream of Life] all on 16-millimeter, and I just wanted to learn about Patti [Smith]. — © Steven Sebring
I shot [Dream of Life] all on 16-millimeter, and I just wanted to learn about Patti [Smith].
I was making a film [Dream of Life] about Patti [Smith], but I was taking pictures, too.
Hopefully I can inspire lots of people to learn about [Patti Smith], to read poetry or learn about William Blake or Arthur Rimbaud.
I wasn't familiar with Patti [Smith ]much at all. When I was asked to photograph her, my wife said, "Oh my God, Patti Smith!" So I looked at some Robert Mapplethorpe books and I recognized those pictures.
Fashion's been really good to me. It financed Patti Smith: Dream of Life.
I became Patti's [Smith] messenger, basically, and the film is my view of how I learned about Patti.
I just wanted to be Patti's [Smith] messenger and get her word out there.
We were just hanging out and getting to learn about each other. But I think trust was a really big thing. Patti [Smith] is a good friend, somebody I can talk to.
When I was 15, 16, I started going to a studio and my biggest inspiration were women, like Lola Flores from Spain or Janis Joplin or Patti Smith.
[Some] times I'd have sound but no image. When Patti [Smith] was singing with her guitar, or doing something amazing with her clarinet, I'd just mess around and record the sound. So we'd use those sounds as another layer in the film [Dream of Life].
I would bring Patti [Smith ] in to the editing room [working on the Dream of Life] and say, "This is a great moment for a voiceover, or a poem," and then we'd bring in some sound design.
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
It took 12 years to put this film [Dream of Life] together, but it was not until toward the end of those 12 years that I looked at Patti [Smith] and said, "Maybe we should do something with this footage."
I loved 'Just Kids' by Patti Smith.
I took pictures of the objects and artifacts that Patti [Smith] would show to her friends because I wanted to document them.
The commercial space industry owes a huge debt to Patti Grace Smith. There might not be a commercial spaceflight industry were it not for Patti's leadership.
I listen to a lot of artists like Tori Amos, Cherry Glazerr, and Patti Smith, and I kind of wanted to follow in their footsteps, or at least try to be that genre-defining.
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