A Quote by Steven Saylor

All writing is an act of self-exploration. Even a grocery list says something about you; how much more does a novel say? — © Steven Saylor
All writing is an act of self-exploration. Even a grocery list says something about you; how much more does a novel say?
Writing a novel is an act of self-annihilation as much as self-discovery. You can kill whole appetites and flood whole depths while plumbing them, but if you are serious about it you also get to put something into the world that wasn't quite there before.
What's so exciting and terrifying about the writing process is that it really is an act of exploration and discovery. With all of us, not just writers, there is a sort of knowledge of the other. We have a lot more in common than we realize, and I think writing is really a sustained act of empathy.
I've always subscribed to the notion that a writer always has something else to say, and the more you write, the more you have to write about, because the act of writing is self-generating.
When you write a novel, there’s a level at which you are much more revealing about who you are because you’re less self-conscious about how you’re presenting yourself. You are accidentally leaving your DNA all over everything in a novel because it’s all coming from you.
Things I wonder about the FBI's list of the "Ten Most Wanted" criminals: When they catch a guy and he comes off the list, does number eleven automatically move up? And does he see it as a promotion? Does he call his criminal friends and say, "I made it, Bruno. I'm finally on the list"?
Writing fiction, for me, is a more indirect form of self-exploration than writing verse. When I'm working on a novel I'm moving characters around and I'm thinking about plot and there's a lot of other things going on at the level of structure and story. With a poem, a single idea or line or emotion can sometimes be enough - there's often a sense, in the best poems, of capturing a single instant. Perhaps poems differ from prose in the degree of solace they can offer - by speaking so personally, so directly, about shared experience. A few lines of poetry can provide comfort.
Do you ever go off with a long grocery list and come home from the store with a bunch of different stuff? And somebody in the family unsacks the groceries and wants to know why you got this and didn't get that and just where is the whatever? And you want to say, 'Well, just be glad I came back, okay?' And the unpacker says, 'Well, next time bring what's on the list.'
I'm quite sure Shakespeare enjoyed writing Iago much more than he did writing Othello. If you write about someone you love, what the hell are you supposed to say about that person? It's much better to have something between you and your main character that grates.
I am nervous about how my debut novel will be received, because there's always that feeling that somebody might say something negative. I say I won't read the reviews, but I probably will. But just because somebody says something negative, I don't have to believe it.
It does say something about a society when those who sue physicians and hospitals make as much or more money than those who heal disease. It says something about a society when it glorifies and rewards those who litigate while it demonizes and punishes those who produce the drugs and devices that keep it citizens alive and well.
I used to be very interested in the history of women's rights in this country and in other countries. I tried to learn as much as I could about it, and more than anything, I would be called gay. It was phenomenal. But if a boy has something to say, he is appreciated; he's even popular. If a girl says something, it's instantly a threat.
With drawing, I am acutely aware of creating something on a sheet of paper. It is a sensual act, which you cannot say about the act of writing. In fact, I often turn to drawing to recover from the writing.
In Sufi terms the crushing of the ego is called Nafs Kushi. And how do we crush it? We crush it by sometimes taking ourselves to task. When the self says, 'O no, I must not be treated like this,' then we say, 'What does it matter?' When the self says, 'He ought to have done this, she ought to have said that,' we say, 'What does it matter, either this way or that way? Every person is what he is; you cannot change him, but you can change yourself.' That is the crushing. ... It is only in this way that we can crush our ego.
I'm more interested in moving toward writing stories - thinking about the graphic novel form, and just something more long-form. I did a lot of literary translation in college. Translation is an art. But for sure writing has always been a part of how I think through my ideas.
Good writing, in my opinion, is writing that looks really easy, so easy that a person who has never written more than a grocery list might convince themself that they could also write a book. That being said, it's always a lot of work, as you know. And then there's this: you have no idea how many failed stories and novels I've attempted. I have files full of stories that didn't work for whatever reason.
I do want to say the process of writing a novel is riddled with self-doubt and self-loathing.
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