A Quote by Stephen Fry
I flicked my eyes over to Steve again and saw him straighten. He would need a diversion just to start. “Explanations?” I bellowed. “Explanations? There’s your explanation…there!” I stabbed a finger dramatically towards the far corner of the room. Pathetic, really. I mean, talk about the oldest trick in the book. But it’s a good book, and the trick would have been cut from subsequent editions if it didn’t sometimes work.
Related Quotes
There are three kinds of explanation in science: explanations which throw a light upon, or give a hint at a matter; explanations which do not explain anything; and explanations which obscure everything.
You know, not every good book needs to be a movie, or a television series, or a video game. There's great work in those mediums, of course, but sometimes a book should remain a book. I still believe nothing tells a story with the richness and complexity of a good novel. When people say they think a book would make a good movie, they say this sometimes because, if it worked, they already saw all the images in the movie theatre that is in their brains. And sometimes that is the way it should stay.
The scientific method is the ultimate elegant explanation. It is the ultimate foundation for anything worthy of the name "explanation". It makes no sense to talk about explanations without having a process for deciding which are right and which are wrong, and in a broad sense that is what the scientific method is about. All of the other wonderful explanations celebrated here owe their origin and credibility to the process by which they are verified-the scientific method.
The idea of suggesting that Hannibal Lecter - in the book, he has a sixth finger and red eyes, and so there is a devilry in Thomas Harris' presentation - so it felt like it was completely honest and appropriate for the character. And we often talk in the writers' room, "Okay, there is the Hannibal as the devil explanation of that plot point, but we also need to ground that in a reality that is answerable to the physics of the storytelling."
The one man who should never attempt an explanation of a poem is its author. If the poem can be improved by it's author's explanations it never should have been published, and if the poem cannot be improved by its author's explanations the explanations are scarcely worth reading.
There are many aspects of time we just do not understand. That’s the thing about writing a popular book: You realize the things you understand because for those you can give a really simple explanation. But some things about time I just don’t know how to give simple explanations for, even though I can tell you mathematically what’s going on.
The reason people turn to supernatural explanations is that the mind abhors a vacuum of explanation. Because we do not yet have a fully natural explanation for mind and consciousness, people turn to supernatural explanations to fill the void.
If you want to make a name for yourself, the oldest trick in the book is to attack what everybody else reveres.
Then began an experience that turned my life around-working on a book with a black kid as hero. None of the manuscripts I'd been illustrating featured any black kids-except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I'd begun to illustrate children's books. I just loved looking at him. This was the child who would be the hero of my book.
Just because science so far has failed to explain something, such as consciousness, to say it follows that the facile, pathetic explanations which religion has produced somehow by default must win the argument is really quite ridiculous.
Explanations are clear but since no one to whom a thing is explained can connect the explanations with what is really clear, therefore clear explanations are not clear.
Obviously it's easier when I' m doing the adapting myself. But my feeling is, your potential upside far outweighs the downside. Ultimately, they [moviemakers] can't change your book. Your book remains on the shelf the way you wrote it. If they make a great movie of your book, then you have the equivalent of millions and millions of dollars of advertising for your book. If the movie's not that good, that doesn't mean the book's not good. It doesn't change what you've already written. It has the potential to reach more people.
You try every trick in the book to keep her. You write her letters. You quote Neruda. You cancel your Facebook. You give her the passwords to all your e-mail accounts. Because you know in your lying cheater’s heart that sometimes a start is all we ever get.
I was one of those kids who had books on them. Before weddings, Bar Mitzvahs, funerals and anything else where you're actually meant to not be reading, my family would frisk me and take the book away. If they didn't find it by this point in the procedure, I would be sitting over in that corner completely unnoticed just reading my book.
I was one those kids who had books on them. Before weddings, Bar Mitzvahs, funerals and anything else where you're actually meant to not be reading, my family would frisk me and take the book away. If they didn't find it by this point in the procedure, I would be sitting over in that corner completely unnoticed just reading my book.
Children need explanations and they deserve explanations.
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