A Quote by Stephen Hendry

The tip I would give is that once you play the shot, make sure your chin is touching the cue after you hit the cue ball. — © Stephen Hendry
The tip I would give is that once you play the shot, make sure your chin is touching the cue after you hit the cue ball.
To apply spin with security, you must learn to make a snug bridge with your forefinger looped over the cue. When you hit the cueball, follow straight through; don't let your cue rise in the air after impact.
It's easy to make a cue last a lifetime. Don't boil it or freeze it in the trunk of a car. Don't lean it against a wall for years. If you lose a game to a complete idiot, hit the edge of the table in anger with something other than your cue.
I've always looked to that play, 'Virginia Woolf,' for a cue - as far as any cue I might need as an actor for inspiration or as a writer.
Letting the ball travel is an important mental cue. It's simply about making an attempt to see the ball and to slow it down. It's a relaxation technique used to avoid being jumpy and attempting to hit the ball directly out of the pitchers hands.
When you get into a production, there are a lot of things you have to hit to make the show work - like my cues or a cue for another person or making sure you don't mess up the beat, and you can let all of that get in the way.
Pool, it became clear to me, is all about angles. First, there are simple angles, as you must hit the cue ball to either side when you are not straight on.
He knows all the golf lingo. You know? You hit your ball, he's like "there's a golf shot. That's a golf shot." Well of course it's a golf shot; I just hit a golf ball. You don't see Gretzky skating around going "there's a hockey shot, that's a hockey shot."
Would I have done anything different? I might have put a golf club in my hand instead of a cue. I love watching those guys play. Every situation is different, everything - every shot - has to be so precise.
One of the most difficult things I find as an actor is to laugh on cue. It is way harder than crying or other emotions. It's sometimes harder than yawning on cue.
The situation has provided a cue; this cue has given the expert access to information stored in memory, and the information provides the answer. Intuition is nothing more and nothing less than recognition.
But countless studies have shown that a cue and a reward, on their own, aren't enough for a new habit to last. Only when your brain starts expecting the reward--craving the endorphins or sense of accomplishment--will it become automatic to lace up your jogging shoes each morning. The cue, in addition to triggering a routine, must also trigger a craving for the reward to come.
There is no sex without a cue. People who date have their cues at home, before they meet. You think about where to go, what to eat, what to do and say. Sometimes the cue is short - - just before we reach the bar - - but sex is never just spontaneous. Spontaneity is a myth.
You cannot underestimate the body blow for a snooker player of having your cue broken. After all, it's an extension to your arm.
The fun part of golf is the variety of shots. In football you can do anything with a ball, but you can do anything with a golf ball as well. When you hit a shot and the ball does exactly what you want it to do ... that's wonderful. It's just great when you hit the ball well. You should always try not to make the ball cry.
In all the years I've been playing, I've never considered changing my cue. It was the first cue I ever bought, aged 13, picked from a cabinet in a Dunfermline snooker centre just because I liked the Rex Williams signature on it. I saved £40 to buy it. It's a cheap bit of wood, and it's been the butt of other players' jokes for ages.
The ball touched the paint a lot of times. When we talk about touching the paint, the ball touches the key for making a layup or making a play for a teammate. We've got to use our length and our speed. Defensively, getting deflections. Give up one shot and rebound.
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