A Quote by Rege-Jean Page

Every single time I step on stage or on screen, I am contributing to a culture in which there's a dearth of people representing folks that look like me, or that have our context.
For me, every time I step on the stage it feels like a battle is about to start. It's not like we're going on stage to fight against our audience obviously, because for me, when I go on stage, I'm always trying to reach a new level of how am I going to make today a great night for everyone that's present.
If I can stay healthy, then I can wrestle every single week. I want to make every single town that I can, see the whole world, feel every crowd in every arena, and pull those emotional strings. I can't explain what it feels like to be in the center stage connecting with thousands of people, but I'm having the best time doing it.
The reality of the Life Review is becoming part of our every day understanding. We know that after death, we have to look at our lives again; and we’re going to agonize over every missed opportunity, over every case in which we failed to act. This knowledge is contributing to our determination to pursue every intuitive image that comes to mind, and keep it firmly in awareness. We’re living life in a more deliberate way. We don’t want to miss a single important event. We don’t want the pain of looking back later and realizing that we blew it, that we failed to make the right decisions.
To have a government for and by the people, the people should be appointed to serve on state entities, not lobbyists who have an interest in representing their client rather than representing the folks of Alabama.
There were choices that we've made as a Little Dragon, that we had to make at the time because we needed the money. I think everything has its context. It is way easier to say no to things now then it was five years ago, for sure. Back then we were grabbing at every opportunity we could just to sustain a name and let people know, "Hello, hello! We're here! Look at us!" It's really sort of taken its time and grown, and it's been a very step-by-step process.
If I look over my life, every single step of maturing for me, every single one, has had the exact same common denominator: accepting what was true over what I wished were true.
Al Jazeera is a representation of, you know, diversity in the Arab world. In our newsroom, we have every single nationality, we have every single, you know, ideology, we have every single background. However, when it comes to the screen, we have one code of ethics and one code of conduct.
In my theater pieces, I would do "Tits on the Head" - Polaroid photos for $10 on the stage. There would be a line of folks paying me $10 for their turn. It was public prostitution. I turned my whole audience into johns. But because it was in a theater context, an art context, it was socially acceptable.
I was so grateful to have made 'Into the Wild' before I made 'Speed Racer' because on 'Speed Racer' I was indoors every single day, every single scene, on a green screen. Some of the time, just to pass the time, I would think back to climbing mountains in Alaska. That really helped me.
There are people who expect me to look the way I do on-screen, where I have a great director of photography and fantastic lighting. I'm sorry to disappoint people, but I don't look like that all the time - no actress does.
Every single step, although I couldn't see it, was a step forward and built to where I am now.
I want to live in an America where we are able to marshal all the resources we have at our disposal and that we - people like me, and companies like Apple and Intel and others - can make it our business to put a tablet computer in the hands of every single kid in America. Every single kid.
People seem to think that my movies are so carefully coordinated and arranged - and in a lot of ways, they are - but every single time I make a movie, I feel that every director makes these choices. You make choices about your script, you make choices about your actors, and how you're going to stage it, and how you're going to shoot it, and what the costumes are going to be like, and in every single detail, you make that decision. And for me, what ends up happening is, I wind up surprised at the combination of all these ingredients. It never is anything like what I expected.
Every time I have people over, I watch how long they look at every part of the painting, or pictures on my computer. I have a few close friends and people that are constants. Whether I like their opinion or not, I've been hearing it for a long time and I can use it as this constant. I mentally pay attention to how long they look at every image, which ones they pause on and what parts of it they look at.
As a member of Congress representing Southern Nevada, I am always advocating for our tourism industry, talking about our millions of annual visitors, and reminding folks in Washington, D.C., that we are the entertainment capital of the world.
We are in the process of creating what deserves to be called the idiot culture. Not an idiot sub-culture, which every society has bubbling beneath the surface and which can provide harmless fun; but the culture itself. For the first time, the weird and the stupid and the coarse are becoming our cultural norm, even our cultural ideal.
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