A Quote by Jimmy Page
From the first album, Led Zeppelin was always going to be a totally new approach from what had gone before - whether it was approaching the blues or folk music like 'Babe I'm Gonna Leave You': nothing existed like that.
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Popular music has always been rooted in the blues, whether it's Adele or Led Zeppelin or Sam Cooke. It's just the beat that changes.
We didn't go for music that sounded like blues, or jazz, or rock, or Led Zeppelin, or Rolling Stones. We didn't want to be like any of the other bands.
Nothing that Robert Plant does will ever equal Led Zeppelin, but that doesn't mean he's going to stop being creative. Jimmy Page has so many incredibly cool projects, but it's not Led Zeppelin; there will only ever be one Led Zeppelin.
When the blues came out, it was something pure and undefined, but when all these white groups got hold of it, it became something else that didn't sound anything like the original. So you had Led Zeppelin doing their thing, which had come all the way from the blues.
Here's where it goes with Led Zeppelin. It didn't matter what was going on around us, because the character of Led Zeppelin's music was so strong.
I don't think of myself as a folk singer per se, but I really like blues and string-band music. When I started listening to records when I was a teenager, the folk boom was going on.
The Weezer 'Blue' Album is a classic. I think My Morning Jacket's 'Circuital' is a great album to have. Any Led Zeppelin album. Pink Floyd 'The Dark Side Of The Moon' or 'Animals.' I always catch myself at concerts being like, 'Oh, I just stared at the drummer for 15 straight minutes.' I study them.
I don't think drums had ever sounded so big until Led Zeppelin's first album.
I was interested in music since I was 14 years old. What really got me started was the first Led Zeppelin album... absolutely.
From the first album, we've had songs like 'The Jack' that are blues based. We also did it in 'Ride On,' where we went into the blues.
I never listen to Led Zeppelin. But, I mean, I don't think Robert Plant or Jimmy Page listen to Led Zeppelin, either. We all probably obsessed over the same old blues records growing up.
There's such a currency to Led Zeppelin, or the members of Led Zeppelin. If I put it to you this way, on the run-up to the O2 concert, the only music that we played was music of Led Zeppelin - the past catalog stuff; that's what we played on the way towards shaping up the set list for that. But we played really, really well.
You're always frustrated, you don't have the chance to do a song on the album, like the Beatles did with Ringo and George, or like Led Zeppelin, where everybody was given a chance to contribute. There never is a chance with the Stones.
There's always apprehension whenever I launch anything, it seems. When I launch a tour, people are always, 'Oooh, is this gonna work?' And when I launch an album: 'Ooh, is this gonna work?' Or a new video. 'Really?' It's always like that - but I've always acted on the impulse that I have nothing to lose.
When I was a kid, we weren't really supposed to listen to secular music. But one day, I found a 'Led Zeppelin IV' cassette tape in the garage, and it was just amazing-sounding music, not like anything I'd heard before. I remember thinking: 'Well, if God created music, why is his music in church not as good as this?'
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
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