A Quote by Jimmy Page
The Yardbirds sort of disbanded, and I was disappointed because I thought what we were doing was really good. I thought we were really onto something. I thought I was really onto something with these ideas that I had.
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Making YouTube videos while I was in school, I was fortunate enough not to really have any negative repercussions from it. I had a lot of positive feedback from my friends, who thought they were great and thought they were funny and that what I was doing was really cool.
Some people thought I wasn't taking the sport seriously because I was always laughing and having fun, but I loved my skiing, I loved my jumping, and I thought, 'Well, why not have a smile on my face when I'm doing something that I really, really love doing,' and that's how I was.
A lot of it was really, really fun, but at some point, things started getting weird. We didn't allow each other to breathe. We didn't really have a sense of ourselves individually. We were very insecure... We were really threatened by the thought of 'Oh my God, what if someone goes off and does something outside the band?'
I always loved both 'Breakout' and 'Asteroids' - I thought they were really good games. There was another game called 'Tempest' that I thought was really cool, and it represented a really hard technology. It's probably one of the only colour-vector screens that was used in the computer graphics field at that time.
For me, there were a few things in the Spider-Man comics that I thought were really interesting. There's this story about Peter's parents and where he came from, and I thought that it was really interesting to explore the emotional consequence of someone whose parents had left them, at a very young age.
I really loved 'Fast Five.' I thought it was a brilliant movie. I thought it was so well done, well directed. The action sequences were really well thought out. It looked fantastic.
To create an album of love, I really had - I thought it was going to be easy, because I've always written love songs. But I thought if I really want to make a love album that contributes, that actually means something, I've got to go deep.
It so depends on each script, because you can say... I always thought I wouldn't have wanted to do something that was kind of like as big and commercial as 'The Dark is Rising,' but I really liked the script. I thought it was really clever.
About three years went by and I had become exhausted - really at the end of my rope almost - and I thought I couldn't last much longer... and at the very end, when I thought of giving it all up, suddenly I thought it was good. I knew that I now understood something about it and I painted it as easily as you can imagine.
I think everyone agrees First Contact was our best film, and even at that, they're kind of... I don't know, they're sort of movies. But they're kind of really Star Trek movies, if you take my meaning. It's hard for me to say. I was glad to be doing them. Whether they were good isn't really up to me to determine, and it doesn't matter what I think. I thought we had a really nice script on Nemesis, and the audience didn't seem to care for it, so what can you do?
I thought it would be a good idea to look at New York with this half-European, half-native eye and really do something to get back at this city that I thought really gave me a hard time when I grew up.
My mom thought I might be good for voiceover. She thought I had a cute voice, so maybe I could do a cartoon or something. And while we were looking into that, we also thought I should get into theater acting, so I tried it and the first audition I went on, I booked it. And it kind of just snowballed from there.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
I thought Google was the coolest place. People there were so smart and they were all doing these really interesting things. I just felt really lucky to be a part of it even in a small way.
I didn't really think of Hollywood or doing an action movie just because it was not something that I had in mind or that I thought was possible.
I remember kind of doing early acting and thinking, 'God, they don't paint behind the sets.' It's a bit of a shame, really - 'Oh, what's on the other side of this wall? Oh, you can see the plywood.' I was really disappointed. I just thought that these things were real, from watching things as a kid.
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