A Quote by Stan Getz

I appreciate men like Ben Webster and Coleman Hawkins very much. — © Stan Getz
I appreciate men like Ben Webster and Coleman Hawkins very much.
A young tenor player was complaining to me that Coleman Hawkins made him nervous. Man, I told him Hawkins was supposed to make him nervous! Hawkins has been making other sax players nervous for forty years!
When I heard Coleman Hawkins, I learned to play ballads
When I began listening to saxophones, I was first attracted to Coleman Hawkins.
When I began listening to saxophones, I was first attracted to Coleman Hawkins
And Marlowe, Webster, Fletcher, Ben, Whose fire-hearts sowed our furrows when The world was worthy of such men.
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
As much as I think John Coltrane belongs on the list, I think without Coleman Hawkins and Lester Young, both of whom defined improvising on the tenor sax, there would not have been the evolution of the craft by John Coltrane.
Chano Pozo created the role of the conga soloist in the modern band, somewhat th way Coleman Hawkins created the solo tenor sax.
Listen to this, Nimit. Follow Coleman Hawkins' improvised lines very carefully. He is using them to tell us something. Pay very close attention. He is telling us the story of the free spirit that is doing everything it can to escape from within him. That same kind of spirit is inside me, inside you. There-you can hear it, I'm sure: the hot breath, the shivering heart. (Thailand)
I am definitely a dog person. I feel like Webster and I are very much alike.
I guess I was a little bit nervous, because there seemed to be so much secrecy with Ben [Stiller] wanting to make sure that it was a surprise when we walked out on the [Valentino] runway. I remember showing up at Place Vendôme and doing the fitting and seeing the pajamas that I was going to wear - which I like very much - and seeing Ben arrive kind of in disguise.
[Eddie Locke] had a huge impact in my life. He was a great jazz drummer. He was mentored by Papa Joe Jones and he played for many years with Coleman Hawkins and Roy Eldridge and actually got me on a gig with Roy Eldridge when I was 20 that I'll never forget.
I think we had a Ben Webster/Gerry Mulligan record... that might have been it. We only had a few records in the house.
Mike Webster lost all his money or, maybe, gave it away. He forgot. A lot of lawsuits. Mike Webster forgot how to eat, too. Soon, Mike Webster was homeless, living in a truck, one of its windows replaced with a garbage bag and tape.
If someone had asked me when we started 'Bonanza' what was Ben Cartwright like, I couldn't have articulated very much.
Much of the fire with him [Ben Hogan] was lit by Byron Nelson, who came from the same town - the same caddie yard - and achieved fame and fortune several years ahead of Ben and who, as a kid, had always been popular and better liked than Ben. No puzzle at all.
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