A Quote by Stan Lee
When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.
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I know there are other writers who sit down religiously every morning, they take their espresso, they put a clean sheet of paper there and they sit looking at that paper until they've finished or covered at least a number of those pages. No, I'm not like that. I have to be ready. It has to gestate it for quite a while and then it's ready to burst forth.
I'm always writing; I'm always jotting things down on paper or making notes in my iPhone. Then I'll make myself sit down and kind of shape it up, but there's really no other way to practice other than onstage.
I worked a full-time job at a place call Caraustar. We recycle paper, then through recycled paper, we take it and we make V board out of it. If you buy a TV, a new couch, you see these little V boards that make like a V.
People don't want to pay for pitches. They want to see it. If you hear one more time, "Well, that's execution-dependent." Everything's execution-dependent! If there's something that's going to be a little bit more interesting than The Untitled Slinky Movie, then I think that writers that want to do interesting work and at the same time commercial work need to put it down on paper. So agents and producers that writers are working with are encouraging them to get it on paper because the studios like to see what they're buying rather than just imagine what it could be.
The best shows I've done, the writers, actors, and directors have been pretty much left alone - maybe given a little guidance to make it a little more this or more that. But the heavier the hand on the show, I find, the more troubled the show is.
I definitely take notes, but I feel like sometimes if I take too many notes, it kind of bogs down my mind a little bit. So, I just write down stuff that I need to remember for the game.
I keep a journal and just kind of take notes. I don't really so much sit down and write songs - I just take a lot of notes, and sometimes I sit down and put them all together.
Until the writers room sets it down on a sheet of paper and then it gets in front of a camera, it's all vaporware.
Some ministers preach from notes and some don't. They have argued about it for centuries. Let every man be fully persuaded in his own mind. Two Welsh preachers were on their way to a meeting. One noticed that the other carried written outlines. 'Ah,' he remonstrated, 'you cannot carry fire on paper.' 'True,' replied his companion, 'but you can use paper to start a fire!'
It is with government paper, and bank paper, as it is with the paper of private persons; that is, it is worth just what can be delivered in redemption of it, and no more. We all understand that the notes of the Astors, and Stewarts, and Vanderbilts, though issued by millions, and tens of millions, are really worth their nominal values.
When I'm talking to somebody, I'll put a piece of paper on the table and I'll write what I call a conversation summary - notes about the conversation on the piece of paper. At the end of the conversation, I'll take a picture on my phone and give the other person the original piece of paper.
I don't do any editing while we're making the movie. I sit down and watch it all with my editor, we make longhand notes on pads, and then we begin our work.
Not intending to be funny: I sit at the keyboard, put my fingers on the keys and go. To me, it's the real secret of writing. Put yourself in front of the screen or the blank sheet of paper and get to work.
I have a huge respect for writers and realise that this is not an area that I find easy. I doubt that I would have the patience in front of a blank sheet of paper to become a writer.
If you are a poet, you will see clearly that there is a cloud floating in this sheet of paper. Without a cloud, there will be no rain; without rain, the trees cannot grow; and without trees, we cannot make paper. The cloud is essential for the paper to exist. If the cloud is not here, the sheet of paper cannot be here either. So we can say that the cloud and the paper inter-are.
If [Bernard Leach] didn't like the drawing, he'd X it out and do another one and change the form a little bit. And when he was all done, he would stuff these pieces of paper in his pocket and go off to the pottery, and when he wanted to make pots, he would then take these out and he'd begin to produce the pot that he had designed on paper in front of us.
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