A Quote by Stan Freberg

I was turning down cigarette campaigns before it became fashionable. I wouldn't let CBS Radio sell 'The Stan Freberg Show' to R.J. Reynolds and American Tobacco, which had sponsored Jack Benny, the man I replaced.
Jack Benny, Fred Allen. Their jokes were wonderful. It takes skill to be funny. The timing of Jack Benny was so fine. It is a form of genius for which we should be grateful.
When television began, it modeled itself after radio. Many early television programs were radio programs first. 'My Favorite Wife,' 'The Jack Benny Show,' 'Burns and Allen,' 'Alfred Hitchcock Presents.'
I'd always loved radio. I loved Bob And Ray. I loved Stan Freberg.
When I was young kid, I used to watch Jack Benny, and I thought the minimal aspect of what he did was revelatory. I loved Jack Benny.
Everybody in Germany was for the -German cause. But then, after the war ended, when I heard the first Glenn Miller sound on the radio and these fantastic American music makers, I turned into a jazz fanatic. They called me Benny, after Benny Goodman. So, all of a sudden, the eyes of young Germans were opened to America - everything American was absolutely at the top of the list.
I didn't know why I was coming to this room. Someone just told me to go to Sam Raimi's office. I knew that I uniquely had the comics version of his job, which was to take Spider-Man and put him into the modern day. But I thought, "Maybe he wants to tell me to cut it out." So I come in, it's in his office, and then Stan Lee comes in, and I'd only ever met Stan as a fan, not as a professional. And then they sit us down on a couch, and roll in an AV cart with a TV on it and go, "We're going to show you the first cut of Spider-Man."
In housing in the fifties in Britain and the sixties, we pulled down the terraces - destroyed whole communities and replaced them with tower blocks and we built walkways that became rat-runs for muggers. That was the fashionable opinion. But it was wrong.
I used to hear on the radio people like Jack Benny or Bob Hope, but I never had any interest in their type of humor. I thought that I could do something more substantially meaningful with significant, thoughtful, analytical reflections on real life situations.
I had it in my contract with CBS, a very weird clause that was never written before and certainly not since, that if I wanted to do a variety show within the first five years of the contract, CBS would have to put it on for 30 shows.
My goals were small. My goal was to become a big enough stand-up that I wouldn't have to do radio. I could sell out a club, which is like 300 seats. If I got big enough, I could sell before I got there, and I wouldn't have to get up at 6 in the morning to do radio. That was pretty much the dream. I had no idea I'd be playing Madison Square Garden or anything.
People are amazed to see that I wrote all the words and music myself to 'Stan Freberg Presents The United States Of America.'
After the fifth show as Hogan, my radio appearances had shriveled down to two a week Monday and Friday. One afternoon I stood before the camera, and I was so tired I couldn't remember a line. The next morning I said goodbye to radio or a while.
An e-cigarette does not function in manner of a traditional cigarette because it functions electrically rather than via combustion of a material such as tobacco.
You have to prove that the Freberg way will sell their product better than if they just did straight advertising. Whenever I give a lecture or seminar, that's what I try to get across to people. I hear very few radio commercials that sound like I could have written them or that they got the idea.
I was at CBS News on a fluke. I replaced somebody who was on vacation. I worked as a copy boy, then became a news writer.
I could do John Wayne, Jack Benny, Jack Kennedy, Lyndon Johnson and entertain my friends. But I never seriously considered it as a career choice.
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