A Quote by Stuart Symington

Well over fifty years ago I was making radio loudspeakers and radio sets in Rochester, New York; pretty young and inexperienced; but we survived the depression. — © Stuart Symington
Well over fifty years ago I was making radio loudspeakers and radio sets in Rochester, New York; pretty young and inexperienced; but we survived the depression.
I've been in radio, God, twenty years. I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up. Radio was just kind of an accident. I did morning radio in my hometown of Buffalo, then went to Rochester, then Chicago, and then New York.
I turn on the radio. I'm a really big fan of old-fashioned dial radio. I love WNYC and NPR and also 88.3 in New York, which is the jazz station, and it's usually good for background music. If I'm not in New York City or by a traditional radio, I'll stream it on my phone, although I usually try not to look at my phone first thing in the morning.
Five years ago, I wasn't getting questions [about blogs and the internet] from the TV/radio critic of the New York Times.
For years everyone looked toward the demise of radio when television came along. Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger.
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
I'm not prepared to be governor of New York. I'm a radio guy; I do a radio show. A radio show is entertainment. You need to move it along. When does a politician move anything along?
My input for the first 16, 17 years of my life was AM radio, FM radio - pretty mainstream stuff. Rolling Stone was probably as edgy as it got.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
America is new to instrumental dance tracks on the radio, we were all so surprised "Animals" did so well on the radio.
To have survived in radio for 30 years is pretty remarkable. Even more remarkable is to have been able to do it in the same market I've lived in my whole life.
I have a weird sense that people ten years younger than me don't own a radio, or maybe they own a radio, but they don't call it a radio.
Liberal talk on the radio doesn't perform well because it is not a sequestered to a niche - it's everywhere in the media universe. Conservative talk radio, on the other hand, performs well because the radio is the only place, besides Fox News, that people can go for right-sphere opinions.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I used to listen to the radio, and when I was about 18 years old, B.B. King was a disc jockey and he had a radio program, 15 minutes a day, over in West Memphis, Arkansas, and he would play the blues.
I used to listen to the radio, and when I was about 18 years old, B.B. King was a disc jockey and he had a radio program, 15 minutes a day, over in West Memphis, Arkansas and he would play the blues.
Years ago, when I was making music, I was sending it off to radio stations and getting told it was 'too urban.' But what else am I supposed to make?
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