A Quote by Stuart Scott
Writing is better if it's kept simple. Every sentence doesn't need to have perfect noun/verb agreement. I've said 'ain't' on the air. Because I sometimes use 'ain't' when I'm talking.
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Hyacinth,” Lady Bridgerton said in a vaguely disapproving voice, “do try to speak in complete sentences.” Hyacinth looked at her mother with a surprised expression. “Biscuits. Are. Good.” She cocked her head to the side. “Noun. Verb. Adjective.” “Hyacinth.” “Noun. Verb. Adjective.” Colin said, wiping a crumb from his grinning face. “Sentence. Is. Correct.
I should start with an apology to Rudy Giuliani. I said every sentence Rudy utters has a noun, a verb, and 9/11 in it. I was wrong. He called me to tell me after Pat Robertson's endorsement, there's an Amen in every sentence he says too.
Saw you walking barefoot taking a long look at the new moon's eyelid later spread sleep-fallen, naked in your dark hair asleep but not oblivious of the unslept unsleeping elsewhere Tonight I think no poetry will serve Syntax of rendition: verb pilots the plane adverb modifies action verb force-feeds noun submerges the subject noun is choking verb disgraced goes on doing now diagram the sentence
When we put words together - adjective with noun, noun with verb, verb with object - we start to talk to each other.
Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?
Theres only three things [Giuliani] mentions in a sentence—a noun, a verb, and 9/11
The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank.
When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what you're doing is not any kind of public show, until you're ready for it.
Better to think of writing, of what one does, as an activity, rather than an identity to keep the calling a verb rather than a noun.
Art is an idea that has found its perfect visual expression. And design is the vehicle by which this expression is made possible. Art is a noun, and design is a noun and also a verb. Art is a product and design is a process. Design is the foundation of all the arts.
When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what youre doing is not any kind of public show, until youre ready for it.
If the noun is good and the verb is strong, you almost never need an adjective.
Whatever one wishes to say, there is one noun only by which to express it, one verb only to give it life, one adjective only which will describe it. One must search until one has discovered them, this noun, this verb, this adjective, and never rest content with approximations, never resort to trickery, however happy, or to vulgarism, in order to dodge the difficulty.
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.
A true noun, an isolated thing, does not exit in nature. Things are only the terminal points, or rather the meeting points of actions, cross sections cut through actions, snapshots. Neither can a pure verb, an abstract motion, be possible in nature. The eye sees noun and verb as one, things in motion, motion in things.
A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it.
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