A Quote by Subb-an

I like those guys who brought dub into live band context too, Peaking Lights. Joe Gibbs & The Professionals! — © Subb-an
I like those guys who brought dub into live band context too, Peaking Lights. Joe Gibbs & The Professionals!
The recent actions by Kyle Busch are not consistent with the values of M&M'S and we're very disappointed. Like you, we hold those who represent our brand to a higher standard and we have expressed our concerns directly to Joe Gibbs Racing.
In the case of Sadie Gibbs, fans were going, 'Have you seen Sadie Gibbs?' I'm like, 'Who the hell is Sadie Gibbs?' I looked into her work, and went, 'Wow, this is why these people are so into her.' She's very talented.
That's what Joe Don Rooney and I do. He plays guitar and I play bass - and there's no reason to call it a band if you're not gonna have the guys in the band playing on the records.
These stunt guys are good at what they do and they're professional. A smart actor will step back and say, "I'm going to let the professionals do this." Hats off to those guys, man. When you see the credits scroll, look at all those stunt guys and remember all those names 'cause they earned their money on this.
It's impossible to tell how you're perceived. I think it's important not to think about it too much, because it really means nothing. Some people think we're a rock band, and that's ridiculous, and the idea of us being a folk band - you sit in a pub in Ireland and hear those guys play, and you're like, 'Yeah, we're definitely not a folk band.'
In my eyes, Joe Gibbs could do no wrong.
There's been so many rivals, most of them Canadian guys like Rick Martel, Christian and Chris Benoit. Those guys were all ultimate professionals, every one of them.
I like Joe Sakic. Coming out of Buffalo, I obviously like Alexander Mogliny, Pat LaFontaine. Hasek is up there. Miroslav Satan. Whoever seemed to be a good player at the time I'd watch. Jagr too. I tried to learn a lot from those guys.
I used to live above Manganaro's, when old Times Square was still peaking, and it still had a lot of diners and theaters on the forty deuce, as they used to call it. It was full of character. And it wasn't Disneyland. Now it's so touristy and full of bright lights, I can't stand it. It's like going to a big mall.
The next Rick Hendrick, Richard Childress, or Joe Gibbs has to come from somewhere.
At my high school, there were always kids carrying acoustic guitars around, which is why I named my band the Mountain Goats. I didn't want to seem like one of those guys who brought his guitar to the party whether you asked him to or not.
I was a San Francisco fan when Joe Montana and Ronnie Lott and those guys where there. And I watched Joe Montana get cut and go to K.C. and still ball.
I would have loved to have played for Joe Gibbs. Look at his record of winning three Super Bowls.
Joe Gibbs helped define what the Washington Redskins stand for - integrity, hard work, determination, winning and championships.
I learned to play piano in a rock n' roll context or band context from country records - you know, Floyd Cramer - and from the Beatles and the Rolling Stones and Stax. And none of those are keyboard records.
In terms of preparation, if there's some historical context that's needed, I do like to read a lot. Working on Joe Kennedy for 'Boardwalk,' I read a couple of biographies on him. It's nice to have a broader context of the man outside of where the show is coming from.
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