A Quote by Suniel Shetty

I think 'Main Hoon Na' is like the comeback of a Manmohan Desai film. Farah Khan made you laugh, cry and dance. — © Suniel Shetty
I think 'Main Hoon Na' is like the comeback of a Manmohan Desai film. Farah Khan made you laugh, cry and dance.
Manmohan Desai's films pack a lot of joy and have a child-like quality and you can see the director is having fun, but my movies don't suspend disbelief that much. But it's good to be compared to Manmohan Desai. He was run down by critics in his time.
I never thought 'Mein Hoon Na' will do so well in Pakistan. Whenever I meet Pakistanis in London or the U.S., they have so much love and affection for me because of 'Mein Hoon Na,' which was my most criticised film in India.
Since 'Main Hoon Na' is a cult film, if I want to make a sequel, the story has to be good!
'Main Hoon Na' will always be special since it was my first film but in my subsequent films, I was trying to show off with gimmicks that didn't aid the narrative in any way.
My look is very different in 'Main Hoon Na.' I don't look like the same Suniel Shetty.
After 'Main Hoon Na,' I got married; so I took some time off.
I've always been told that because of 'Main Hoon Na,' a lot of female filmmakers have come up but I maintain that direction is a 'genderless' job.
I've worked with Farah Khan who is a competent woman director, and Farah and I had a great professional equation and we are still best of friends.
Like Ron Lorman's always sayin', "Na-na-na-na-na," you know what I mean? I don't need that in the studio.
You can't write off Prakash Mehra and Manmohan Desai hits.
I remember meeting Shah Rukh Khan sir on the sets of 'Main Hoon Naa' and I am a huge fan of him.
The decision about digital or film is going to be made for us. I think the answer is that film is gonna be gone, although I think it'll make a comeback; it'll be like vinyl records or something.
Nagpur was a very small town. There was no exposure to different kinds of films or world cinema. Only Manmohan Desai films.
Theatre audiences can't be made to think and cry: at best, they can be made to think and laugh, or to feel and cry.
Farah Khan and I form a magical pair.
I think Raju Hirani and Farah Khan are the only two filmmakers who can balance the multiplex audiences and the single-screen audiences.
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