A Quote by Seungri

I'm not the type of person to act one way in front of the camera and another when it's off. What you see is what you get. — © Seungri
I'm not the type of person to act one way in front of the camera and another when it's off. What you see is what you get.
What's cool is that Oprah is the same person on stage and in front of a camera as she is off stage and behind the scenes. She speaks the same way on camera as she does off camera.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
I think the beauty of the film industry is that if another person tries to become another person or act like another person or imitate another person, they don't really get too far. When that person starts to realize who they are and what they can bring to the table, they start to blossom and grow. With that, it's not so much me looking towards my predecessors who have paved the way in the industry - it's more getting inspired. I get little bits and pieces of what I can take from any and everybody.
I'm so into making music and being behind the scenes. I'm such a visionary person that I don't see myself being the person in front of the camera or the person in front of the mic.
I think I've spent more time in front of a camera than off camera. That's just the way it is.
What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
In the car and in front of the camera I tend to be very calm but behind the scenes I can get fired up and passionate, I just don't see the need to shout my mouth off in public.
If a person is in front of a camera, they're acting. It's not possible to live in front of a camera.
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
You never learn to act in front of a camera. You never learn anything in front of a camera. But you learn to act in a rehearsal room with a good play and a good cast and a good director.
'Hollyoaks' is where I learnt a lot of the craft, being in front of a camera six days a week. That's certainly an experience you don't get in drama school. It invites you to be comfortable in front of the camera.
I admire a person who, for the love of art, is able to take off their clothes in front of a camera. But I'm not capable, I'm too cowardly for that.
I would like to see more films being made with people of color behind the camera and in front of the camera, because the more times at bat we have, the better we get.
I don't like getting up in front of people and being the loud one when everybody's out quiet and you're the only one talking. I'm not a fan of that. I'm fine when I get in front of a camera, I don't care. You'll never see me on stage. Not at all.
I've been in front of the camera a million times as a musician, and even directed a few music videos. So, I know a lot about spacing, focus, blocking, etcetera. So, acting isn't totally new for me. Still, I find it fascinating, because you actually get to be another person.
When you first are in front of the camera as a young person, you'd be surprised at all the insecurities you can get.
This site uses cookies to ensure you get the best experience. More info...
Got it!