A Quote by Cierra Ramirez

I'm very well known for hiding my phone in really weird places. I can hide it in a refrigerator during a scene or under that bed. It's pretty bad, but at the end of the day we can all laugh at it.
I declare an end to my day by removing my phone from my bedroom and putting it in a phone charging bed.
I had no cares. I was one of those kids: ‘If you laugh at me, laugh at me.’ I don’t have that censor, which is important in this business because you’re constantly told: ‘Gosh, you didn’t look very good. You don’t look pretty in that scene, or you didn’t do that right, or you’d look so much better if your hair looked lighter.’ You really have to have tough skin or you’d end up like a heaping, crying mess all the time.
It was the typical paranoid experience [to hide coke]. As soon as I knew my hiding place, I thought the whole world knew it. I'd write clues to my hiding places in code, then forget the code and spend the rest of the day looking for my coke.
It was bad on Linda. She had to deal with this guy who didn't want to get out of bed and, if he did, wanted to go back to bed pretty soon after. He wanted to drink earlier and earlier each day and didn't really see the point in shaving. I was generally pretty morbid.
I want people to laugh with me and Paraguay and Newfoundland, but I don't want to laugh at them. I hope in my books at the end of the day you come across with the impression that I really admire both of these places.
To hide a passion totally (or even to hide, more simply, its excess) is inconceivable: not because the human subject is too weak, but because passion is in essence made to be seen: the hiding must be seen: I want you to know that I am hiding something from you, that is the active paradox I must resolve: at one and the same time it must be known and not known: I want you to know that I don't want to show my feelings: that is the message I address to the other.
To me, the funniest American of the Twentieth Century is Richard Nixon because he had the most to hide, and he was so bad at hiding it. To me, that's what's really funny - people who think they're doing a great job of hiding stuff, and it just keeps leaking out.
When you live the life of a comedian, it's such a state of arrested development. I can't deal with anything very maturely. I'm still really bad at paying bills or doing anything that would be considered semi-adult. I'm really bad at it. It's weird I can create and run a TV show, but I can't pay my phone bill.
For my birthday my husband learned to cook and is cooking one day a week for me. But he only likes to do fancy dishes. So we end up with weird, obscure things in the refrigerator.
I want to go places where there are really well-meaning people doing work that is interesting and seems to really matter and where everybody looks like at least once a day they have a really good laugh.
Dogs laugh, but they laugh with their tails. And a tail is an awkward thing to laugh with, as you can see by the way they bend themselves half double in extreme hilarity trying to get that rear-end exuberance forward into the main scene of action. What puts man on a higher stage of evolution is that he has got his laugh on the right end.
I check my phone first thing when I wake up in the morning. I usually take it up with me to bed so it's on the floor next to the bed, although not actually in bed with me, because I really do not want to be the person who sleeps with their phone.
At the end of the day music is a grind. You're constantly working at it and even with playing shows as well. If your schedule isn't planned right it could really throw things off, but honestly at the end of the day its incredible being able to go to so many places.
Living on $6 a day means you have a refrigerator, a TV, a cell phone, your children can go to school. That's not possible on $1 a day.
In general, I don't even have the luxury of rehearsal time on most films that I make. It is just a scene-by-scene full cast read through. It's very much just doing the rehearsal sometimes the day before, at the end of the day, but just on the spot as the scene unfolds.
To really be known and really let someone else be known is very vulnerable. It's a weird thing. Just being an actress in Hollywood is very vulnerable. To let all these other people decide whether you're really of value or not, you have to really be strong to know that, of course, they have a right to their opinion, but their opinion doesn't matter as far as yourself.
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