A Quote by Susan Estrich

I always tell my students: I don't care which side you're on. I respect you too much to try to persuade you in 120 minutes a week, much less lure you into pretending that you agree with me. All I want is for you to own this democracy, to see yours, to have a stake in it.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
Directing my own writing, I see that I talk way too much, and everything can happen much sooner, with much less said about it.
Democracy is talking itself to death. The people do not know what they want; they do not know what is the best for them. There is too much foolishness, too much lost motion. I have stopped the talk and the nonsense. I am a man of action. Democracy is beautiful in theory; in practice it is a fallacy. You in America will see that some day.
You’re not terrified of me. You’re terrified of letting yourself care for me, and I can’t say I blame you. People who love me usually end up dead. But you see, I’m not going to give you any choice. You belong to me now whether you like it or not.” “I don’t like it, not one bit!” “Try to escape,” he suggested coolly. “Go ahead. See what happens. Give me one excuse to take what I want from you, even if it is against your will. I want you that much. Too damned much.” He turned without warning and kissed her, flattening her back against the pine mast.
If you do not want what I want, please try not to tell me that my want is wrong. Or if my beliefs are different from yours, at least pause before you set out to correct them. Or if my emotion seems less or more intense than yours, given the same circumstances, try not to ask me to feel other than I do. Or if I act, or fail to act, in the manner of your design for action, please let me be. I do not, for the moment at least, ask you to understand me. That will come only when you are willing to give up trying to change me into a copy of you.
I have always considered myself a fast learner. I try to retain and absorb as much information and knowledge about the [music] business as I can. I don't want to just sit back and have other people do the hard work for me. I try to be involved in every process of my career as possible. I run my own social media, record, and try to vocal produce myself as much as possible, write my own songs, style myself, and learn the business side. If I didn't do acting or music, I was going to school for business. God has put me on this path and I can honestly say I wake up every day doing what I love.
We want to believe. Young students try to believe in older authors, constituents try to believe in their Congressmen, countries try to believe in their statesmen, but they can't. Too many voices, too much scattered, illogical ill-considered criticism.
I'm not as religious as some people about "the album." To be honest, that was a product of a format. You had vinyl, and you could fit five songs on each side, and that's 45 minutes. You had A-side songs and B-side songs; I always loved the first song on side B. And there's nothing wrong with that. Prog albums of the 70s adapted to that format very much. But not all musicians want to create 45 minutes of music that has to be listened to in chronological order.
I used to think that it was better to have too much than too little, but now I think if the too much was never supposed to be yours, you should just take what is yours and give the rest back.
That's a really sad moment. When people in a democracy are afraid of having the conversation, because it might actually lead to a conclusion they don't like, as opposed to saying, let's have the conversation, and let's learn, and, you know, let's, let me try to persuade you, and if I'm not persuading you, then you try to persuade me. That's what we hope for.
I'm not necessarily less gratified by films where you're given less room to maneuve. Because I love a great script, and I love to respect it, and I love to try to give a director what he needs and wants, especially having directed now. [Laughs.] I'm much more open to try to give him what he wants and figure it out. I like working with directors I respect and admire, obviously. And everybody has their own way.
We as a people, as a state, and as a community, have too much promise, too much potential, and too much at stake to go any other way than forward. We are too strong in our hearts, too innovative in our minds, and too firm in our beliefs to retreat from our goals.
Keep walking. Hot night right now, right here. All you have is what you are. All you want is much too much. All you get is so much less. All you feel is nothing. All you see is darkness. All you know is senseless and all you can do about it is ride.
I'm always up and down with Jordan's. I try to not wear them too much. They're the type of shoe that, if you want it, if you don't want to get them too dirty, you don't use them too much.
We are so resilient as a people. I have so much respect for their dignity and courage. I hope the world sees this side of Pakistan, one where professionals want a democracy. The spirit of our intelligentsia cannot be broken.
I like sharing stuff with people. I feel like it's kind of at their own discretion, you can see too much if you want to see too much.
This site uses cookies to ensure you get the best experience. More info...
Got it!