A Quote by Susan Sontag

Bleak factory buildings and billboard-cluttered avenues look as beautiful, through the camera's eye, as churches and pastoral landscapes. — © Susan Sontag
Bleak factory buildings and billboard-cluttered avenues look as beautiful, through the camera's eye, as churches and pastoral landscapes.
Having an eye patch actually makes it easier to look through a camera - I don't have to close one eye like everyone else.
I never wanted to make portraits - to photograph celebrities, beautiful people, beautiful landscapes, beautiful buildings, or people in distressing situations.... I have always been interested in everyman - average, ordinary people in everyday situations.
We try to turn buildings into landscapes - defying the idea of modernism which sees nature and buildings as two distinct elements.
I've been in beautiful landscapes where one is tempted to whip out a camera and take a picture. I've learned to resist that.
Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.
A Leica camera is a camera we can keep both eyes open. You can look for the free eye that doesn't look to viewfinder and in all directions. It's like backwards - and sometimes also backwards, and you can look for the viewfinder and see your picture.
The system of fathers of the world church, the clergy system of the state church, and the pastoral system of the independent churches are all the same in nature. They are all Nicolaitans. In the Bible there are only brothers. There is the gift of a pastor, but no system of pastors. The pastoral system is man's tradition. If the children of God are not willing to return to the position of that in the beginning, no matter what they do, it will not be right.
The most beautiful landscapes in the world, if they evoke no memory, if they bear no trace of a remarkable event, are uninteresting compared to historic landscapes.
The forties are very cool and very pastoral. The fifties look like they're pastoral, and then you get a bit more turbulence.
The first thing many tourists see in Hawaii is concrete - a long dreary stretch of it through landscapes dominated by sad, cheap apartment buildings and almost entirely denuded of plant life.
When you look at the artists who have come up through 'Billboard' over the years, it's incredible.
We should not forget that when we limp away afflicted through the spirit, it is not to the factory gates or to the corporate steps we pilgrimage. Instead we go to the sea for its salt. We find shade under the sycamores on the great avenues. Or we go to the rivers where water tells us modestly of its own sickness.
I look very different on camera compared with how I do in real life. On camera, I look my best when everything is enhanced, especially my eyes - I like a smoky eye. In real life, I like myself best in tinted moisturiser, lip balm and mascara.
The camera is not only an extension of the eye but of the brain. It can see sharper, farther, nearer, slower, faster than the eye. It can see by invisible light. It can see in the past, present, and future. Instead of using the camera only to reproduce objects, I wanted to use it to make what is invisible to the eye - visible.
I don't think it's necessary to worry too much about being authentic. I think a picture taken on an iPhone and then filtered through something to make it look like it was taken on a Super 8 camera can be just as authentic as something taken on a Super 8 camera, if it's capturing something real or beautiful.
I think it's possible for me to approach the whole problem with a broader scope.When you look at something through an, an organizational eye, whether it's a, a religious organization, political organization, or a civic organization, if you look at it only through the eye of that organization, you see what the organization wants you to see. But you lose your ability to be objective.
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