A Quote by Susan Sontag

Salter is a writer who particularly rewards those for whom reading is an intense pleasure. He is among the very few North American writers all of whose work I want to read, whose as-yet-unpublished books I wait for impatiently.
Human beings are of two classes: those whose work is work and whose pleasure is pleasure; and those whose work and pleasure are one.
I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.
The best books are not read even by those who are called good readers. What does our Concord culture amount to? There is in this town, with a very few exceptions, no taste for the best or for very good books even in English literature, whose words all can read and spell.
For a writer, the Book Festival is interesting because you bump into all these other writers whose work you know, whose names you know, and you have a chance to put a person with the name and the work.
I learned to write from reading. I had no writing classes. It's part of my thinking as the writer-author, reading, but then I also want to bring this into my characters, who also read and think. There's that great quote from Virginia Woolf - it's very simple: "...books continue each other." I think when you're a writer, you're also, hopefully, a reader, and you're bringing those earlier works into your work.
You would have to be very optimistic to think that any of your books will be among the books that survive in the very long run. I think if a writer is lucky enough to still have a few books around after he's gone, a few that are still being read, then he's accomplished quite a lot.
You're...writing for other writers to an extent-the dead writers whose work you admire, as well as the living writers you like to read.
It's time for a recovery and reassessment of North American thinkers. Marshall McLuhan, Leslie Fiedler and Norman O. Brown are the linked triad I would substitute for Jacques Lacan, Jacques Derrida and Michel Foucault, whose work belongs to ravaged postwar Europe and whose ideas transfer poorly into the Anglo-American tradition.
The power of resistance is to set an example: not necessarily to change the person with whom you disagree, but to empower the one who is watching and whose growth is not yet completed, whose path is not at all clear, whose direction is still very much up in the proverbial air.
I particularly love where I work because I was born, raised, and still live in the Bronx. I work in a Bronx location, so it's very fulfilling to me to be working in my home borough, and working with kids that are a lot like me and who can see themselves in me. My own teaching philosophy is to expose them to books that they might not otherwise read, particularly authors of color, authors whose stories are based in New York City.
Who were my mentors in poetry and literature? This is a matter of opinion. Some see in my books the influences of authors whose names, in my ignorance, I have not even heard, while others see the influences of poets whose names I have heard but whose writings I have not read. And what is my opinion? From whom did I receive nurture? Not every man remembers the name of the cow which supplied him with each drop of milk he has drunk.
I loved reading all kinds of books, but I particularly loved books like 'Red Planet' by Robert Heinlein, which very few people read anymore but is a wonderful science fiction story.
The writers or artists I write about are not necessarily those I care most about (Shakespeare is still my favourite writer) but those whose work I feel has been neglected.
God uses millions of no-name influencers every day in the simplest selfless acts of service. They are the teachers whose names will never be in the newspaper, pastors who will never author a book, managers who will never be profiled in a magazine, artists whose work is buried in layers of collaboration, writers whose sphere of influence is a few dozen people who read their blogs. But they are the army that makes things happen. To them devotion is its own reward. For them influence is a continual act of giving, nothing more complicated than that.
If you ask me now, I think every single writer whose work I've read has had some influence upon me, and I continue to be influenced, subtly, by everything I read, like a sponge. But then, what writers aren't? Being a literary sponge is one of the prerequisites for this insanity.
How often have I met and disliked writers whose books I love; and conversely, hated the books and then wound up liking the writer? Too often.
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