A Quote by Susan Sontag

It's not that you make up your ideas to justify your temperament but that it's the temperament first. — © Susan Sontag
It's not that you make up your ideas to justify your temperament but that it's the temperament first.
Temperament is fixed, set. The skull, followed by the temperament: the two hardest parts of the body. Follow your temperament. It is not a philosophy, It is a rule, like the Rule of St Benedict.
I have one of the great temperaments. I have a winning temperament. Hillary Clinton has a bad temperament. She's weak. We need a strong temperament.
Ultimately ideas come out of a temperament or a sensibility, they are a crystallization or a precipitation of temperament.
Opposites attract, and I think temperament is so fundamental that you end up craving someone of the opposite temperament to complete you.
Well, a daughter is someone you've grown up with, right? So you know her temperament, you know what makes her angry and how to deal with that person. You're meeting your daughter-in-law when she is an adult already and you don't quite know what her temperament is like, so it takes time to gel.
One of the greatest hindrances in coming to Jesus is the excuse of temperament. We make our temperament and our natural affinities barriers to coming to Jesus. The first thing we realize when we come to Jesus is that He pays no attention whatever to our natural affinities. We have the notion that we can consecrate our gifts to God. You cannot consecrate what is not yours; there is only one thing you can consecrate to God, and that is your right to yourself (Romans 12:1). If you will give God your right to yourself, He will make a holy experiment out of you. God’s experiments always succeed
Temperament is something that is an integral part of the artist. Not temper, temperament. There is a vast difference.
I happen to be unfortunately temperamental. No, my temperament is also, what you describe to rainfalls, the will of society, to combat a number of contradictions. That happens to be my creative temperament.
Pain is a sensation produced by something contrary to the course of nature and this sensation is set up by one of two circumstances: either a very sudden change of the temperament (or the bad effect of a contrary temperament) or a solution of continuity.
Temperament is the primary requisite for the critic - a temperament exquisitely susceptible to beauty, and to the various impressions that beauty gives us.
A temperament capable of receiving, through an imaginative medium, and under imaginative conditions, new and beautiful impressions, is the only temperament that can appreciate a work of art.
The most important quality for an investor is temperament, not intellect. You need a temperament that neither derives great pleasure from being with the crowd or against the crowd.
Some persons are exaggerators by temperament. They do not mean untruth, but their feelings are strong, and their imaginations vivid, so that their statements are largely discounted by those of calm judgment and cooler temperament. They do not realize that we always weaken what we exaggerate.
You must hand yourself and all your inward experiences, your temptations, your temperament, your frames and feelings, all over into the care of your God, and leave them there. He made you and therefore He understands you, and knows how to manage you, and you must trust Him to do it.
Our genetic heritage endows each of us with a series of emotional set-points that determines our temperament. But the brain circuitry involved is extraordinarily malleable; temperament is not destiny.
There's a great deal of difference between temperament and temper. Temperament is something you welcome creatively, for it is based on sensitivity, empathy, awareness ... but a bad temper takes too much out of you and doesn't really accomplish anything.
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