A Quote by Susan Howe
I often think of the space of a page as a stage, with words, letters, syllable characters moving across.
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The key to all knowledge comes in words of just one syllable, apparently.... There's only the last page left to write on. I'll fill it with words of just one syllable. I love. I have loved. I will love.
My favorite song he ever wrote was 'Cold Cold Heart.' If you think about it, the lyric to 'Cold Cold Heart,' see how many two syllable words are in that song. Very, very few. ... Verses and the choruses have very few two syllable words. 'I tried so hard my dear to show that you're my everything.' One three-syllable word.
On the stage, the characters express themselves more through words than images. So the arguments of the characters and the tension between characters - words have to be used to express that, and I love that about theater.
I just write like a grown man, because that's what I listen to. I'm not even speaking complicated English... I don't do five-syllable words, I don't do four-syllable words. This is English. Rudimentary English.
At the very core of what a comic is, time and space are kind of the same thing. When your reader moves her eyes across the page, she should be moving through time in your story.
Most of my life I was particularly terrified of speaking up, because I had a speech impediment, which made it difficult to pronounce certain letters, sounds, and I felt like I was fine writing on the page, but once I got on stage, I was worried my words might jumble and stumble.
If you stop to think about it, you’ll have to admit that all the stories in the world consist essentially of twenty-six letters. The letters are always the same, only the arrangement varies. From letters words are formed, from words sentences, from sentences chapters, and from chapters stories.
Listen and learn: you need fourteen characters, minimum. Use random letters, not words. Here’s a tip: think of a sentence, and use the first letter in each of those words. Mix it up between upper and lower case. Then pick two numbers that mean something to you – not dates – and stick them somewhere between the letters. Put a punctuation mark at the beginning of the password and then a symbol, like a dollar sign, at the end.
My dyslexia means I can't read for long periods or the letters start moving around on the page, giving me headaches.
Four. That's what I want you to remember. If you don't get your idea across in the first four minutes, you won't do it. Four sentences to a paragraph. Four letters to a word. The most important words in the English language all have four letters. Home. Love. Food. Land. Peace. . .I know peace has five letters, but any damn fool knows it should have four.
The "stage" on which you perform in film and TV is much smaller. Moving your eyes across the frame is equivalent to crossing from stage right to stage left in a big Broadway house. Coming from a theatrical background and temperament, this is something I am still learning. However, I think ultimately your responsibilities to the character and the overall story are the same in both mediums, so my approach felt very similar.
Writing a screenplay needs to be more than words on a page - and by the way, I think the words on the page are something you have to try to execute on the highest level you can; I'm not dismissing that by any regard.
Sometimes you have to say the words exactly how they are on the page, but sometimes when you improv, it only helps to get across what's on the page, and I just love working with directors who allow that.
I liked the idea of the words floating in space and the space behind it moving all the time, ever changing.
I didn't mean to send love letters, but that is what they became. On their way to you, my words turned into heartbeats on the page.
Poetry, I thought then, and still do, is a matter of space on the page interrupted by a few well-chosen words, to give them importance. Prose is a less grand affair which has to stretch to the edges of the page to be convincing.
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