A Quote by Susie Dent

The notion of 'Queen's English' is usually applied to our pronunciation. — © Susie Dent
The notion of 'Queen's English' is usually applied to our pronunciation.
Having an interview in English is difficult for me, but acting in English is much harder. Because when I'm acting in English, if someone points out bad pronunciation or accent, I cannot focus on my emotions anymore, so it was very hard.
I am learning English and even try to talk in English with people. I don't care if people are laughing at me. I always look at the Internet for the correct pronunciation and play word games.
Command of English, spoken or written, ranks at the top in business. Our main product is words, so a knowledge of their meaning and spelling and pronunciation is imperative. If a man knows the language well, he can find out about all else.
The English, in their ignorance, still have the romantic notion that Scottish schools are superior to English ones; they are at least a generation out of date.
Every time I get the chance, I just talk to myself basically in English just to practice my pronunciation.
Many words are in a state of mutation, the pronunciation being unsettled even in the best society, a result that must often arise where language is as variable and undetermined as the English.
If modern painters feel qualms about applying the term "masterpiece" to describe a work of capital importance, this is because it has come to convey a notion of perfection: a notion that leads to much confusion when applied to artists other than those who made perfection their ideal.
When you are learning through poetry how to speak English, it lends to a great understanding of sound, of pitch, of pronunciation, so I think of my speech impediment not as a weakness or a disability, but as one of my greatest strengths.
It's obvious that there are vast variety of consequentialist views, depending on what we think goodness consists in, what our notion of consequence is, and what level (or levels) of human action we think the principle should be applied.
[Queen Elizabeth] is just the granny queen! She's our granny queen who shakes people's hands!
Through my youth, there was imposed on us a culture relentlessly English. English books were all you could buy; English television filled our screens, and in consequence, England seemed to matter in a way that our world didn't.
The very notion of Great Britain's 'greatness' is bound up with empire. Euro-scepticism and Little Englander nationalism could hardly survive if people understood whose sugar flowed through English blood and rotted English teeth.
They have a lot of trouble with pronunciation, because they can't move their jaw muscles, because of malnutrition caused by wisely refusing to eat English food, much of which was designed and manufactured in medieval times during the reign of King Walter the Mildly Disturbed.
Once, BBC television had echoed BBC radio in being a haven for standard English pronunciation. Then regional accents came in: a democratic plus. Then slipshod usage came in: an egalitarian minus. By now slovenly grammar is even more rife on the BBC channels than on ITV. In this regard a decline can be clearly charted... If the BBC, once the guardian of the English language, has now become its most implacable enemy, let us at least be grateful when the massacre is carried out with style.
Drag has taught me that I have deliberate control over my image, and when this notion is applied to one's whole life, it is both powerful and transformative.
I was, like, 12 or 13; the first hip hop song I tried to rapping to was Macklemore's 'Thrift Shop,' and my English was so bad, but learning to rap to different songs really helped me with my pronunciation, and looking at the lyrics on Rap Genius and stuff like that.
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