A Quote by Suzy Amis

I know quite a few eco designers who build dresses out of old couture gowns. They disassemble, 'upcycle,' and reuse them in extraordinary ways. To me, that's a sustainable way of doing things.
My closet is organized by tops, pants, and outerwear, but not a lot of dresses. Gowns are in another room because I don't often dress formally, even though I design gowns. Like most designers, I have a uniform, and mine is a legging.
When I was young, especially when I was at school, I thought couture was about big gowns, big hats (that is couture as well, of course) - but my couture is about going near the clothes and having a look at the details. I like people to have a shock in a chic way.
I want to try and wear as many Australian designers as I can because I'd like to support my Australian colleagues in the industry as well as find things that are eco-friendly. I love the green concept of wearing more sustainable garments at events.
Of course, there's some you think, well I wouldn't let them in the door, but there's not many. It's very important to know that it's a mutual thing, that there is respect and a form of teamwork. With quite a few of them it can be traumatic, but there are moments in here when they do extraordinary things with their designs. There are things of beauty I get to see in this office.
Entrepreneurs almost always have to step out of existing institutions that embody old ways of doing things to build their vision.
When 'Avatar' came out, we were out non-stop for a year and a half doing red carpet events. I had a stylist who helped me, but it was really hard, and we couldn't find many sustainable dresses.
Couture gowns are like gremlins; you can't expose them to bright light or get them wet.
I use Jimmy Galanos gowns for real special occasions and things - television, special occasions where I know I'm being filmed. But I never really wear his gowns on stage. My stage gowns are more costumey. There's different levels of things that I wear.I would never wear my stage gowns to a party.
Couture has a lot of issues today. Here in Paris there are oddly so few houses showing. And I'm not talking about the style. I'm talking about the sense of couture and these young actresses that you were talking about - they want long dresses that are not always the most innovative or the most interesting. So it's a bit lost.
I'll tell you something of the forbidden horrors she led me into - something of the age-old horrors that even now are festering in out-of-the-way corners with a few monstrous priests to keep them alive. Some people know things about the universe that nobody ought to know, and can do things that nobody ought to be able to do.
There's always people out there that's like, doubting me, you know what I mean? Even though I do embrace the people that embrace me and I'm grateful for them. But I always feel like, man, there's still people out there that's not giving it up. And I feel like I'm doing everything the right way, you know what I mean? I'm really going out of my way to do it the right way. I'm taking very few cheats - very few cheat codes that I'm using.
Disassemble the cells of a sponge (by passing them through a sieve, for instance), then dump them into a solution, and they will find their way back together and build themselves into a sponge again. You can do this to them over and over, and they will doggedly reassemble because, like you and me and every other living thing, they have one overwhelming impulse: to continue to be.
I've worn dresses from all different price ranges, and the thing that couture dresses have in common is that the fit is amazing.
I tell my graduate students [at Bard College], ‘There are two ways to change the world: through policy, or through sustainable business.’ With sustainable business, individuals build solutions within the current system… Sustainable business asks, ‘How would nature do this?’
To be a couture designer is not only to create dresses but to adapt your line to your private customers. It is why couture is expensive. You are like a doctor.
The ultimate art form of fashion is couture. I completely geek out when it comes to couture. It shows fashion as it used to be. I don't know how many people can actually afford the clothes, but in a way, that's beside the point.
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