A Quote by Sam Kinison

Anyone can go out on stage and start beating people over the head with rubber chickens. That'll get people's attention. — © Sam Kinison
Anyone can go out on stage and start beating people over the head with rubber chickens. That'll get people's attention.
Anyone who has kids knows that children like to be around chickens, goats, whatever. My kid loves to go out and feed the chickens and collect the eggs. It's a nice way of living.
The second time I was pregnant friends would give me rubber bands to gnaw, because the first time, I had chewed things like a rubber bit that fell off the dishwasher. I remember driving once in the rain and the smell of my rubber-soled shoes in the damp caused me to pull over and start chomping on the rubber mat.
You get a lot of people who are used to the stage and a lot of people who are used to prime time, and they can't keep up with the pace. It's so fast - you have to digest it, regurgitate it, spit it out, and then start over and move on to the next scene.
When we have four or five players out it's very difficult to get any continuity at this stage in our development. If I pull the blanket over my head my feet get cold, and if I push it over my feet my head gets cold.
I have this rubber band that I have all the time on my wrist, and sometimes when I get nervous or anxious, I'll do this twiddle thing with my finger and I'll snap the rubber band. A lot of people use rubber bands to cope with things like anxiety and depression and addiction.
I have to say, I'm still surprised anyone's nice to me, that anyone talks to me. But I think people understand that other people go through things. We're all a bit gonzo, and you're allowed to take a little time to get your head on straight.
When you first start out in stand-up and, probably, as any performer, you enjoy the attention so much, and even though that hasn't died down on stage, it certainly has satiated whatever was in me that was needing that much attention. When I'm off stage, it's not something that I really need.
Once you go on stage you're essentially creating the world that people want to participate in. The worst thing you can do is go out on stage with the idea that you're going to communicate something you've learned and if you do it really well, they'll approve. If you go out in an approval process, you will be so nervous and so preoccupied you'll never get to the heart of what it is you want to make music with.
People who get implants, it's so depressing, you know... People - I don't know. The route of that, you know, maybe they want more love or attention, or what it is, but they always go for the most obvious place, you know? Here... Well if you really want more attention, why not get them in your eyes? And then move your eyes down to where your nipples used to be, put your breasts up on your head, everybody will pay attention!
When you're not as accessible, you get in a tent and get in your own head, and you start doing things that are a little out of touch. I think we've seen it happen with certain artists... people can't touch them; they're not touching people. They're only touching people in their circle.
What's important is the tolerance. If people are not beating other people up, or shooting them for being different, then that's progress. Even if the ideas that go through their head are fodder for novelists.
Americans want grungy people, stabbing themselves in the head on stage. They get a bright bunch like us, with deodorant on, they don't get it. I'm 24 years old, I've got a load a money, what am I gonna do, sit at home and twiddle me thumbs? No. I'm gonna go out and 'ave it.
If you think people are against you and that you're a target, things will start appearing that way. I just go about my day, and I don't think anyone is out to get me.
I think that people are having to do like really crazy things to shock people now, to get people's attention and it kind of, it's this way in lots of different aspects of life. You know, people fight for attention. It's competitive. So they need to be the one that stands out.
I started once a week in North Carolina at a pub called Charlie Goodnight and met a lot of comics there. Then I moved to L.A., and if you're not known, it's hard to get stage time. So you start out doing what they call 'bringers' - you have to bring five people if you wanna get on stage. It was a lot of hustle, a learning curve.
How come when it's us, it's an abortion, and when it's a chicken, it's an omelette? Are we so much better than chickens all of a sudden? When did this happen; that we passed chickens in goodness? Name six ways we're better than chickens. See, nobody can do it! You know why? 'Cause chickens are decent people.
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