A Quote by Sam Levenson

Somewhere on this globe, every ten seconds, there is a woman giving birth to a child. She must be found and stopped. — © Sam Levenson
Somewhere on this globe, every ten seconds, there is a woman giving birth to a child. She must be found and stopped.
Every day life is being conceived somewhere. Every day someone is carrying a child. Every day someone is giving birth to a child. Every day children are coming under the influences of the world. So all these events we can pray for daily. And we can be a Keeper of the Flame with the Maha Chohan
When she was pregnant with Teddy, she feared that she’d give birth to a child who disliked reading. It would be like giving birth to a foreign species.
She feels so contented in giving birth to a child, in helping the child to grow; and that's why she does not need any other kind of creativity. Her creative urge is fulfilled. But man is in trouble: he cannot give birth to a child, he cannot have the child in his womb. He has to find a substitute, otherwise he will always feel inferior to the woman. And deep down he does feel that he is inferior. Because of that feeling of inferiority man tries to create paintings, statues, dramas, he writes poetry, novels, explores the whole scientific world of creativity.
Over and over again, stories in women's magazines insist that women can know fulfillment only at the moment of giving birth to a child. They deny the years when she can no longer look forward to giving birth, even if she repeats the act over and over again. In the feminine mystique, there is no other way for a woman to dream of creation or of the future. There is no other way she can even dream about herself, except as her children's mother, her husband's wife.
Every woman knows that if she were free, she would never bear an unwished-for child nor think of murdering one before its birth.
To think that one child would go to bed hungry somewhere in this country is heartbreaking... to know how many do is virtually incomprehensible. This is not only a problem that exists in the far reaches of the globe. It happens right here in our own backyard. Together, as concerned citizens, we must do more to make sure every child's needs are met.
"A child!" said Edith, looking at her. "When was I a child? What childhood did you ever leave to me? I was a woman - artful, designing, mercenary, laying snares for men - before I knew myself, or you, or even understood the base and wretched aim of every new display I learnt. You gave birth to a woman. Look upon her. She is in her pride tonight."
When I stopped seeing my mother with the eyes of a child, I saw the woman who helped me give birth to myself.
When I stopped seeing my mother through the eyes of a child, I saw the woman who helped me give birth to myself.
When a woman gives birth her waters break and she pours out the child and the child runs free.
Tell me the story, Pew. . . . It was a woman. You always say that. There's always a woman somewhere, child; a princess, a witch, a stepmother, a mermaid, a fairy godmother, or one as wicked as she is beautiful, or as beautiful as she is good. Is that the complete list? Then there is the woman you love. Who's she? That's another story.
Motherhood implies from the beginning a special openness to the new person: and this is precisely the woman's 'part'. In this openness, in conceiving and giving birth to a child, the woman 'discovers herself through a sincere gift of self'.
No woman that I know is capable of leaving her child down for thirty seconds. She can't walk away without making sure that everything is absolutely as secure and safe for her child as can be.
A child, thought Carl, is not the only result of childbirth. A mother, too, is born. You see them every day--nondescript women with a bulge just above the groin, slightly double-chinned. Perpetually forty. Someone's mother, you think. There is a child somewhere who has made this woman into a mother, and for the sake of the child she has altered her appearance to better play the part.
To marry a woman with any success a man must have a total experience of her, he must come to see her and accept her in time as well as in space. Besides coming to love what she is now, he must also come to realize and love equally the baby and the child she once was, and the middle-aged woman and the old lady she will eventually become.
The film 'Kaliman' is about the various travails a woman undergoes. Since giving birth to a child tops the list and I was pregnant as well, I accepted the role.
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