A Quote by Sam Worthington

You've always got to be smart enough to go 'Well they're going to have to bring some of their own in'. We don't want to be a monopoly where we get shoved out, it has to be symbiotic.
One of the best compliments I ever got was "You know what I like about you? You're smart enough to be scared. So many guys come on cocky, they don't want to go over their stuff, they don't want to do a pre-interview. You're always smart enough to be worried till the last minute."
Well, the kind of central question: "Do you want to live - and I don't mean stay alive - do you want to feel your life while you're living it?" You know, there's somewhere to go that was here before we were and is going to be here after us, so get out there in it. It doesn't take somebody who's got some self-important sense of their own attachment to nature to recognise that you're just stupid if you don't go out there.
When things aren't going well, I complain a lot and get depressed. I whine and I eat and I go to sleep. I do all kinds of things. And if I'm smart, I'll go and clean out a drawer or a closet or go and pay my bills. I do get myself into situations where I'm not happy with what's going on. But you just have to wait it out and have faith that that dry well will fill up again.
I always try and bring screenplay, shooting and editing into a sort of symbiotic - as close into alignment as you possibly can get them, consistent, obviously, with the resources that you've got and the time you've got available.
I'm the type of person who is always going to be somewhat dissatisfied with myself. I'm never going to be smart enough. I'm never going to be a good enough father and husband. I'm never going to be a good enough actor for myself. I just never will be, and I have to get comfortable with waking up every day and trying to move some little increment closer to the person I have always dreamed of being. This is the journey.
Governments don't want a population capable of critical thinking, they want obedient workers, people just smart enough to run the machines and just dumb enough to passively accept their situation.You have no choice. You have owners. They own you. They own everything. They own all the important land. They own, and control the corporations. They've long since bought, and paid for the Senate, the Congress, the state houses, the city halls, they got the judges in their back pockets and they own all the big media companies, so they control just about all of the news and information you get to hear.
I've been fortunate enough to always have plenty of work, offers to go out and play shows. The hardest thing I have to do is pick out which one I want. For some reason, there's a great demand out there, whether I've got a new record out or not.
Sure, some employers are are afraid of letting older workers go because they think they're going to get sued. And they probably will get sued. But the reality is, you could get sued at any time by any kind of worker. I think its incumbent on an employer, if they want to be smart, to figure out what is the benefit of keeping this employee or letting them go. Do the calculation and just go ahead and either keep them or let them go based on what's good for the business.
Sheets of sound. Well, that was when I got tired of certain modulations. Like when you want to get back to C, and you've got to go to D and then G and then C. I was fooling around with the piano, and I figured out some other way to do it.
I believe you make your own luck. My motto is ‘It’s always a mistake not to go.’ So I jump on the airplane, try new things—sometimes I get in way over my head, but then I think, I’ll work my way out of this somehow. A big part of making your own luck is just charging out of the gate every morning…The thing I love about living in New York is that I never fail to get up in the morning and think, Something adventurous is going to happen today. The energy is operating at full throttle all the time. And if you want to be lucky you’ve got to go out and take advantage of it.
If you go out to some of the big cities in California, and you look at some of the monopoly situations out there, the thing is just shocking. And the tendency, and I think it's bound to be, unless it is carefully combated by those who are managing the papers, the tendency of a monopoly situation is bound to be to damp everything down to a common level.
Some go on to trade schools or get further training for jobs they are interested in. Some go into the arts, some are craftsmen, some take a little time out to travel, and some start their own businesses. But our graduates find and work at what they want to do.
It's always the same when you don't get enough snaps. If we can get it going, stay on the field, the beauty of the offense is they'll all get involved in it. You've got to have drives, you've got to make first downs. You can't get players involved if you only have three plays and out. That's not real good.
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
To some extent, 'The Wall' is asking the question, 'Do you want a voice? And if you do, you better bloody well go out and get it because it's not going to be handed to you on a plate.'
We're just animals, creatures smart enough and unlucky enough to have figured out we're alive, and we're going to die without ever knowing any purpose. We can pretend all we want and we can wish all we want, but that basic existential fact remains?we can't know.
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