A Quote by Sam Hunt

I try to make music that's relevant to my life and relatable to the culture I live in. — © Sam Hunt
I try to make music that's relevant to my life and relatable to the culture I live in.
The best music you make is relevant to the culture you are in, the timeframe you are in. I want to keep it as relevant as possible.
I really try to make myself relatable, which is hard, because supercars in general are not relatable.
We live in a consumer culture, and Black Friday is like the July 4th of that culture. It might be good not to live in this culture, but it terms of what we can do to make people safer at big sales, it seems more useful to try to avoid dangerous crowd conditions.
A lot of Viners do more relatable stuff, but I try to stay away from that. I try to maybe take a relatable situation and Bach it up.
All I want to do with my life is try and make music that I really love, and so every day I try and work on music.
I want to try to make difficult people somehow relatable.
We are not relevant when we mirror secular culture. We are relevant when we are what they long to be.
The man of culture finds the whole past relevant; the bourgeois and the barbarian find relevant only what has some pressing connection with their appetite.
I never wanted to live a relatable life, I wanted to live an aspirational life. I didn't want to see people who had my life on TV. I wanted to see other lives, right, and so I was always trying to get as much of that stuff as I could.
I try to broaden every discussion out, make it very relatable to fans.
The popular culture says . . . Do what you do, your life is predestined, like the installment plan on your house. There's not much you can do about it. Make your payments, live it, get sick, die, don't make any trouble. It is the Master Charge of destiny. Try to get your high credit rating.
I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.
I want to travel around the country and make my living playing music. I also try to behave in a way that I would appreciate as a music fan. That's how we conduct ourselves, be it in writing music or playing it live.
I believe that art can make relevant and progressive contributions to culture and society.
I love when there's an obstacle to overcome, even for the audience to actually empathize with that character. I find that interesting, and then, how to work around that and make them relatable. That's something that you have to dig into the moments and into the performances and see how to play those situations that make them relatable.
'Upstream Color' in particular, it's got to infect culture at some level in order to have a life of its own. Then it'll be judged, and it'll either live or it won't by its own merit, and history will decide whether it's relevant however long into the future. I think that's more than enough to hope for.
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