A Quote by Samuel Goldwyn
To hell with the cost, if it's a good story, I'll make it.
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I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
O2O and all-in-one systems mean we have to make online and offline inventory accessible to each other. This is complicated both in terms of the technical aspect and in cost. A story sounds wonderful, but if it is too costly, it is not good. Technology has to match business.
I know a good story from a bad story. But when you have a really good story and they make it bad, I'll say to my wife, "Oh, tonight, I'm going to enjoy watching television because I did great, and wait until you see this." And then, they put it on and it's like - oh, that's not so good. They are fake news.
Features have a specification cost, a design cost, and a development cost. There is a testing cost and a reliability cost. ... Features have a documentation cost. Every feature adds pages to the manual increasing training costs.
We have to make it easier to be good workers, good parents and good caregivers all at the same time. That's why I've set out a bold vision to make quality, affordable child care available to all Americans and limit the cost to 10 percent of family income.
Tobias Wolff is a hell of a writer, but you knew that already. His first memoir, 'This Boy's Life,' was a Huck Finn story set in the Eisenhower era - a story so rich and wounding that not even Hollywood could make a bad movie out of it.
You'd have to have one hell of an imagination to completely make up a story, but historians are very anal about what they think should be portrayed on screen. Thankfully they don't make movies; we do.
There are three things that are important for a film. Number one is story, number two is story, number three is story. Good actors can save a bad script and make it bearable, but good actors can't make a bad script good - they can just make it bearable.
Hell is not evil; it's a place where evil gets punished. Hell is not pleasant, appealing, or encouraging. But Hell is morally good, because a good God must punish evil.
Say what you want about it, Hell is story-friendly... The mechanisms of hell are nicely attuned to the mechanisms of narrative. Not so the pleasures of Paradise. Paradise is not a story. It's about what happens when the stories are over.
The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.
The action of Pity leaps quicker than light from the highest place to the lowest to bring healing and joy, whatever the cost to itself. It changes darkness into light and evil into good. But it will not, at the cunning tears of Hell, impose on good the tyranny of evil. Every disease that submits to a cure shall be cured: but we will not call blue yellow to please those who insist on having jaundice, nor make a midden of the world's garden for the sake of some who cannot abide the smell of roses.
A good scenario doesn't make a good science fiction story - but it's a setting within which a good science fiction story might be told.
The companies that provide debt, what do you think their goal is? Is their goal for you to fully understand the cost of your debt? No. So they're basically creating these approaches to make you feel like it is incredibly cheap or just to think about the cost per day rather the cost per year or cost for a lifetime. So debt is very simple mistake.
To step on a bomb, have your legs blown off and survive, is lucky. Everybody has a good-luck story. Mine was the fact that the senior medic was on patrol that day. Those who don't have a good-luck story are the ones who don't make it.
I believe thrillers work if the story is good. It is not easy to make a thriller because the audience is making their own story in their minds as they watch the film. You have to break that expectation and still make them like the film.
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