A Quote by Samuel L. Jackson

I'm pretty focused on what I do. I think directing is a very specific talent, and I'm not real big on putting puzzles together, which is basically what a film is. — © Samuel L. Jackson
I'm pretty focused on what I do. I think directing is a very specific talent, and I'm not real big on putting puzzles together, which is basically what a film is.
I'm a producer, writer, director. I'm putting everything together very fast, and I'm strong and focused on making the next film as fast as possible. From one film to the other, I'm getting better. I'm learning - that's my style.
I got Twin Peaks, and the part was basically written for me, which was a really big shock. I think everything really changed with the right teacher coming together, but before that I worked with Sondra Seacat; she's amazing and very spiritual, but I hadn't worked with her on specific roles. I just was in classes with her.
If I can think of anything, but nothing specific that I have learned, is the time management and discipline and stay focused. Mentally focused to be aware. Our training sessions are mentally packed. We work on very specific game plans and strategies.
Film directing has perfected my theater directing. I think when I first started directing, a lot of my stuff was very lateral; I was afraid to have the actors' backs turned away, afraid to put them too far upstage, and I think once I did more things with film, I got more interested in composition.
Film is a very specific world in which I don't think you really need to go to film school.
Film scores are complicated puzzles that you need to figure out and solve very quickly, or else you're basically fired. You're hired to enhance the film and you only have a couple tries to prove that you are capable of that task. I can keep trying to enhance my album ad infinitum.
Jesus is not directing the angelic choir, taking long naps, or doing crossword puzzles. He is completely focused on building his church, the hope of the world.
Directing is like guitar playing. That's a unique mind-set and talent, unto itself. I like the idea of putting everything together to make a great movie.
Having done a lot of magazines, I'm very curious how big magazines handle big stories, and I was very curious to see how 'Time' and 'Newsweek' would handle 9/11. And I was basically pretty disappointed to see that they had chosen to show the photo we'd already seen a million times, which was basically the moment of impact.
The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.
I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film.
When I think about directing a film, the thing that stops me short is wondering if I'm a natural at it the way I think you, and PTA, and Fincher are born directors. Maybe some people's talent is in understanding the ways that film communicates, without dialogue, without plot.
If I wasn't a writer, I would probably be a watchmaker. I like putting puzzles together, and that is what a watch is, figuring out how all the gears and everything else works together. I'm patient and good at focusing on a single task.
Because as much as I love figuring out other people's puzzles, and love putting words together in ways that feel good to sing and sound good together and suit the melody, I think most of the best songs in the world are fairly clear about what they mean to say.
I've been putting together the story with Rob and putting all the details of it together and looking at all the various designs they have for the toys and stuff, it's pretty exciting.
When putting words together is good to do it with nicety and caution, your elegance and talent will be evident if by putting ordinary words together you create a new voice.
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