A Quote by Samuel Taylor Coleridge
Her skin was white as leprosy.
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Her lips were red, her looks were free, Her locks were yellow as gold: Her skin was white as leprosy, The Nightmare Life-in-Death was she, Who thicks man's blood with cold.
Why should anyone think a white skin superior in evaluating the qualities of human life? I did not really admire a white skin so much myself. Did I not prefer the brown skin that came with exposure to the sun?
My skin's too white." she said. Says who, Snow White?" he said, touching her cheek lightly with one hand.
I definitely think the fact that I come from a multicultural background, my mother living life in a white skin and having white skin privilege from the time I was little, I was aware of that.
Lots of times when you watch anime, the characters all have white skin - all the characters in fantasy stories all have white skin, which I never liked.
It's extremely likely that the people who have never been exposed to a human who has leprosy, it's very likely they got leprosy from exposure to an armadillo.
My mom was the only one who didn't bleach her skin. She was the one who kept her natural complexion. So yes, I consider her a role model. All of her other family members would say to us, 'Oh, your mom is so beautiful. She's lucky she kept her skin.' Those comments stayed with me.
Voodoo Girl Her skin is white cloth, and she's all sewn apart and she has many colored pins sticking out of her heart. She has many different zombies who are deeply in her trance. She even has a zombie who was originally from France. But she knows she has a curse on her, a curse she cannot win. For if someone gets too close to her, the pins stick farther in.
This is really skin privilege, the ranking of color in terms of its closeness to white people or white-skinned people and its devaluation according to how dark one is and the impact that has on people who are dedicated to the privileges of certain levels of skin color.
A Venezuelan dictator once decided to stop leprosy. He saw that most lepers in his country were also beggars. By the simple expedient of collecting and destroying all the beggars in Venezuela an end was put to leprosy in that country.
She watched as he settled down on the bed with Naya skin to skin on his chest. His hand all but covered her tiny body as he stroked her in that changeling way, bonding with her on the most elemental level. Then he purred, and Naya made a happy little sound of delight, very much a cat in her love of touch.
Cinema is a little over 100 years old, and a lot of what we do is built around film emulsion. Those things were calibrated for white skin. We've always placed powder on skin to dull the light. But my memory of growing up in Miami is this moist, beautiful black skin.
She resembles the Venus de Milo: she is very old, has no teeth, and has white spots on her yellow skin.
It’s a risk I’m willing to take. This happens once in a lifetime. You meet someone and have this crazy reaction … you touch her skin and it’s the best skin you’ve ever felt, and no perfume on earth could be better than her smell, and you know you could never be bored with her because she’s interesting even when she’s doing nothing. Even without knowing everything about her, you get her. You know who she is, and it works for you on every level.
I don't encourage any act of murder nor do I glorify in anybody's death, but I do think that when the white public uses its press to magnify the fact that there are the lives of white hostages at stake, they don't say "hostages," every paper says "white hostages." They give me the impression that they attach more importance to a white hostage and a white death, than they do the death of a human being, despite the color of his skin.
If I describe a person's physical appearance in my writing, which I often do, especially in fiction, I never say someone is "black" or "white." I may describe the color of their skin - black eyes, beige skin, blue eyes, dark skin, etc. But I'm not talking about race.
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