A Quote by Suzanne Brockmann

Forget about writing to Penthouse. This one was going to be a story for their grandkids. — © Suzanne Brockmann
Forget about writing to Penthouse. This one was going to be a story for their grandkids.
I tell my kids and my grandkids, 'Never forget where you came from. Never forget your roots.' My grandkids, they didn't go through the hard times as much as other ones in our family did. One thing is to just never forget where you came from and you never forget that nothing is more important than your relationship with Jesus Christ.
You see kids walking to the bus, and they're watching product on their phones. I'm positive that my grandkids and their grandkids are going to put on a pair of glasses and watch something.
Perhaps if there is anything remotely interesting about my writing style, it is this: more often than not I have no idea what the story is going to be about. Sometimes I have a fuzzy vision, or a glimpse of one scene, or a character. But mostly all I have is a random first sentence, and I follow it to see where it might go. For me, writing is the process of discovery, of gradually figuring out what happens in the story and how it ends, that makes writing an interesting process for me.
All right. Let's give you something to tell your grandkids about. Or great-grandkids. Or great-great-grandkids." I snort with glee, delirious with excitement. Charlie winks and pours me another finger's worth of whiskey. Then, on second thought, he tips the bottle again. I reach out and grab its neck. "Better not," I say. "Don't want to get tipsy and break a hip.
I'll give you the sole secret of short-story writing, and here it is: Rule 1. Write stories that please yourself. There is no rule 2. The technical points you can get from Bliss Perry. If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.
Good writing is remembering detail. Most people want to forget. Don't forget things that were painful or embarrassing or silly. Turn them into a story that tells the truth.
When writing, I'm not thinking about war, even if I'm writing about it. I'm thinking about sentences, rhythm and story. So the focus, when I'm working, even if it's on a story that takes place at war, is not on bombs or bullets. It's on the story.
But it was for your own good.” – Nick “So’s the spanking I’m about to give you.” – Cherise “I’m too big to spank.” – Nick “Fine, you’re grounded until your grandkids are old.” – Cherise “Kind of hard to do. How am I supposed to have grandkids if I’m grounded?” – Nick “Precisely my point, you demon spawn. You’re never going to get off restriction.” – Cherise
What I love about sketch is that the writing of it is idea-based. It's not story-based. It's like, 'This is a behavior, and we're going to write, in a small sample, the funniest way to heighten this behavior.' Sitcoms or movies are about story.
If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.
I'm gonna make sure you talk about me, and your grandkids and kids after that gonna know about me...your great grandkids will say "wow, wasn't that a bizarre individual?"
My approach to writing is, it's either going to be a personal story about me and what I've personally been through, or it's going to be inspired by a friend.
We're going to be seeing things from regions in the universe where Einstein is the whole story. Newton you can forget about.
The way to start writing isn't by writing at all. But by living. It isn't about creating something from thin air, but about documenting our personal feelings about the things that we see. Or to put it crudely, how are you going to be a storyteller if you have no story to tell? Perhaps, in the end, there are no such things as creative people; they are only sharp observers with sensitive hearts.
I'd like my grandkids to be able to watch PBS. But I'm not willing to borrow money from China, and make my kids have to pay the interest on that, and my grandkids, over generations, as opposed to saying to PBS, 'Look, you're going to have to raise more money from charitable contributions or from advertising.'
'Hallelujah' is going to be a standard that our grandkids, our great-great grandkids will learn to sing in church. It's one of those really, really special songs.
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