A Quote by Susanna Clarke

..The argument he was conducting with his neighbor as to whether the English magician had gone mad because he was a magician, or because he was English. — © Susanna Clarke
..The argument he was conducting with his neighbor as to whether the English magician had gone mad because he was a magician, or because he was English.
A magician is strong because he feels pain. He feels the difference between what the world is and what he would make of it. Or what did you think that stuff in your chest was? A magician is strong because he hurts more than others. His wound is his strength.
The greatness and efficacy of a magician is measured by his refusal to use magic. The true magician, the greatest, is the poorest and most unfortunate of all mortals. Because between his magic and his person forgetfulness takes shape, in the form of the world.
A Magician is not a Magician because he knows tricks, but because he knows Magic - the principles, the fundamentals.
Ah, that shows you the power of music, that magician of magician, who lifts his wand and says his mysterious word and all things real pass away and the phantoms of your mind walk before you clothed in flesh.
English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent.
Sometimes I wonder how my life would have worked out if my books had been translated into English sooner, because English is the language that's spoken worldwide, and when a book appears in English it is made universal, it becomes a global publication.
Malcolm Bradbury made the point, and I don't know whether it's a valid one or not, that the real English at the moment is not the English spoken in England or in America or even in Canada or Australia or New Zealand. The real English is the English which is a second language, so that it's rather like Latin in the days of the Roman Empire when people had their own languages, but had Latin in order to communicate.
Before one can become a magician he must learn to control his own mind; for mind is the substance with which the magician acts, and the power to control it is the beginning of magic.
A magician is an actor playing the part of a magician.
Drummond is many things, and one of those things is a magician. (...) Art is magic, and so is pop. Bill Drummond is a cultural magician, and 45 is his logbook. Shelve alongside Brian Eno's A Year With Swollen Appendices. Hail Discordia !
The argument that there was a social pathology of the English Reformation, that there were fundamental changes in English society and the English church which made the Reformation inevitable, is academically stone dead.
When we read about Creation in Genesis, we run the risk of imagining God was a magician, with a magic wand able to do everything. But that is not so. God is not a demiurge [demigod] or a magician, but the Creator who gives being to all entities. Evolution in nature is not opposed to the notion of Creation, because evolution presupposes the creation of beings that evolve.
English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.
Every magic trick consists of three parts, or acts. The first part is called the Pledge. The magician shows you something ordinary. The second act is called the Turn. The magician takes the ordinary something and makes it into something extraordinary. But you wouldn't clap yet, because making something disappear isn't enough. You have to bring it back.
Well, English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent. Obviously there are more specific ones that get a little bit tricky. Same with American stuff. But because in Australia we're so inundated with American culture, television, this that and the other, everyone in Australia can do an American accent. It's just second nature.
I am, as far as I can tell, about a month behind Lord Byron. In every town we stop at we discover innkeepers, postillions, officials, burghers, potboys, and all kinds and sorts of ladies whose brains still seem somewhat deranged from their brief exposure to his lordship. And though my companions are careful to tell people that I am that dreadful being, an English magician, I am clearly nothing in comparison to an English poet and everywhere I go I enjoy the reputation- quite new to me, I assure you- of the quiet, good Englishman, who makes no noise and is no trouble to any one.
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