A Quote by Suzanne Collins
It's as if I'm Finnick, watching images of my life flash by. The mast of a boat, a silver parachute, Mags laughing, a pink sky, Beetee's trident, Annie in her wedding dress, waves breaking over rocks. Then its over.
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Johanna glances over at Finnick, to be sure, then turns to me. “How’d you lose Mags?” “In the fog. Finnick had Peeta. I had Mags for a while. Then I couldn’t lift her. Finnick said he couldn’t take them both. She kissed him and walked right into the poison,” I say. “She was Finnick’s mentor, you know,” Johanna says accusingly. “No, I didn’t,” I say. “She was half his family,” she says a few moments later, but there’s less venom behind it.
Finnick:" Good to see you, Peeta." Peeta:" You be nice to her, Finnick. Or I might try and take her away from you." It could be a joke, if the tone wasn't so cold. Everything it conveys is wrong. The open distrust of Finnick, the implication that Peeta has his eye on Annie, that Annie could desert Finnick, that I do not even exist. Finnick:"Oh Peeta," says Finnick lightly. "Don't make me sorry I restarted your heart.
In the time it takes for her to walk from the bathhouse at the seawall of Fortune's Rocks, where she has left her boots and has discreetly pulled off her stockings, to the waterline along which the sea continually licks the pink and silver sand, she learns about desire.
Beetee is still messing round the tree, doing I don't know what. At one point he snaps off a sliver of bark, joins us, and throws it against the force field. It bounces back and lands on the ground, glowing. In a few moments it returns to its original color. "Well, that explains a lot," says Beetee. I look at Peeta and can't help biting my lip to keep from laughing since it explains absolutely nothing to anyone but Beetee.
The future is a fog that is still hanging out over the sea, a boat that floats home or does not. The trade winds blow me, and I do not know where the land is; the waves fold over each other; they are in love with themselves; sleeping in their own skin; and I float over them and I do not know about tomorrow.
A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone, and a torn cloud, like a bloody rag, hung over the spot of its going. And dusk crept over the sky from the eastern horizon, and darkness crept over the land from the east.
Plutarch rushes to reassure me. "Oh, no, Katniss. Not your wedding. Finnick and Annie's. All you need to do is show up and pretend to be happy for them." "That's one of the few things I won't have to pretend, Plutarch," I tell him.
A big sister who cries over being human over you. A gravelly voiced kid who's friends left him over you. And a pink-haired girl who keeps your picture in her wallet.
I love 'Annie Hall,' but then I adore 'Hannah and Her Sisters.' Dianne Wiest is amazing in 'Bullets Over Broadway,' but her in 'Hannah and Her Sisters,' I absolutely loved it.
Poseidon’s trident was also all over the place, since Peter the Great wanted to stress Russia’s sea power. I especially like the trident on top of an obelisk -- what a great Egyptian/Greek mix up!
She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.
He was sailing over a boundless expanse of sea, with a blood-red sky above, and the angry waters, lashed into fury beneath, boiling and eddying up, on every side. There was another vessel before them, toiling and labouring in the howling storm: her canvas fluttering in ribbons from the mast.
Peeta and I had adjoining cells in the Capitol. We're very familiar with each other's screams.” Annie, who's on Johanna's other side, does that thing where she covers her ears and exits reality. Finnick shoots Johanna an angry look as his arm encircles Annie. “What? My head doctor says I'm not supposed to censor my thoughts. It's part of my therapy,” replies Johanna.
Searching for companies is like looking for grubs under rocks: if you turn over 10 rocks you'll likely find one grub; if you turn over 20 rocks you'll find two.
If anything, I learned most from being a huge fan of his and watching movies like Annie Hall and Manhattan over and over again - that influenced the kind of movies that I wanted to make more than anything else.
Shy gold begins to peep through the sombre green - the wattle's wedding dress - and Spring is near. Then suddenly it seems, one golden morning, the Bush awakes, a living thing. Flowers bloom, birds sing, and all the world puts on its gayest dress to greet the laughing Spring.
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