A Quote by Tabu

I don't have any special approach for playing dark characters. That's because I never looked at them as dark characters per se. For me, they were real people. — © Tabu
I don't have any special approach for playing dark characters. That's because I never looked at them as dark characters per se. For me, they were real people.
People thought the storyline and characters for 'X-Files' made it a 'dark' show, but I never saw it that way. I always thought Mulder and Scully were the light in dark places.
The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.
Theater people say you are either a comedian or a tragedian, and I'm a tragedian. And the vexing, dark characters, the ones where I don't understand their pain or their anguish, they are the characters that appeal to me.
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people.
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people
Oblivion is the dark page, whereon Memory writes her light-beam characters, and makes them legible; were it all light, nothing could be read there, any more than if it were all darkness.
Well, life is dark. We live in a very dark world. When they call them "dark films" it annoys me, because they're very real stories. They're stories I have seen or experienced or witnessed, and coming from that place, that is the hope of humanity.
I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.
I never want to make any characters one-dimensional, especially as women can often be portrayed as the dark one or the evil one.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.
My beliefs encompass all religions. But I never show my religious inclination in my films. My characters have dark sides; they aren't the god-fearing characters. It wasn't a conscious decision. I'm a very lazy and emotional person who connects with the common man.
I like playing dark, offbeat, quirky characters.
I am a fan of dark movies and dark complex characters, and I love to take on a character like that.
I understand why creative people like dark, but American audiences don't like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
I understand why creative people like dark, but American audiences dont like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
This site uses cookies to ensure you get the best experience. More info...
Got it!